Showing posts with label Sophie Marceau. Show all posts
Showing posts with label Sophie Marceau. Show all posts

Tuesday, May 21, 2013

Word Play

My Nights are More Beautiful than Your Days/Mes Nuits sont Plus Belles que Vos Jours (1989) - ZulawskiImage
Lucas (Jacques Dutronc) just invented a new computer language that will revolutionize the world. But at the same time, he is diagnosed with some terminal brain disease that is eating away his brains and leaving him only speaking in non-sensical, free-association word games. He meets a lovely actress Blanche (Sophie Marceau) who is just about to become a star. They bond as they provide narratives for a fighting old couple on the sidewalk- are they in love or drunk? It's a love at first sight. Maybe because of his illness, he clings to her as if she is the sun and she in turn, sees him as a pure soul who might provide a solace from vultures that surround her.

Blanche takes off to seaside Biarritz to perform her clairvoyant act in a glitzy casino hotel and Lucas follows her. They go through tumultuous, surreal days and nights communicating only in word play, connected by childhood trauma (which is the weakest link of the film, btw) and understanding each other in madness.

Sophie Marceau bares it all in another Andrej Zulawski's film about love. Lighter than his other emotionally charged dramas but hardly any less amusing, My Nights showcases Marceau's beauty every chance it gets. She has a difficult duty of reacting off of Dutronc's checked-out-at-the-door performance. He's like a floating target that you can't ever pin down. I've seen My Nights when I was in High School, out of horny teen boy curiosity. Marceau was really big when I was growing up. And I never bothered to look seriously at the subtitles. The version I saw just now had great subs. I wonder how the delicate word games they play in the film come across in Korean. Probably not too well.

Monday, May 20, 2013

A Broken Heart


Police (1985) - PialatImage
What makes a good Policiér: a tension filled plot where criminals always get apprehended at the end? Well orchestrated shootout sequences? A stoney faced hero with macho attitude? A good moral lesson? Memorable villains? Pialat's Police has non of that. When it's all said and done, it's about a broken heart. Then why is it infinitely more watchable?

Gerard Depardieu plays a tough veteran detective Mangin in a busy police district in Paris. He apprehends a couple (Simon and Noria) who are suspected in drug trafficking after a tip from a source. After grueling interrogation, Noria (Sophie Marceau) is released but not Simon. Now his brothers are getting antsy. With a pretty superintendent trainee in tow, Mangin, Noria's lawyer and Noria go out dancing. Hey, we are all human beings aren't we? Men, women, attraction...things happen. One day you slap her around and manhandle her, the next day you are making out with her. It seems Noria is taking advantage of everyone- the lawyer, Simon, Mangin, as she steals a suitcase full of money and drugs from Simon's brother who is in the hospital after getting stabbed in the gut multiple times while attempting revenge on the informant.

The best part of the film is Mangin and Noria driving around 'til dawn making out and talking, as if they were 15 year old teenagers in love. After he finds out what she has done, he returns the bag full of money and drugs to the guys to save her. She leaves. No promises are made that they won't track her down, no retaliation or shooting, no dying in your lover's arms or anything. Not even a goodbye kiss. Mangin quotes someone, "Deep down everything is rotten, or wait, was it everything is awful?" It's all realistic but not minimalistic. Devoid of drama yet human connections seem genuine and real. She was a cold bitch but he will no doubt miss her

Sunday, October 23, 2011

Mad Love

L'Amour Braque (1985) - Zulawski
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Inspired by Dostoevsky's The Idiot, the films tells the story of Léon (Francis Huster), an idiot just released from a mental hospital in Hungary. He befriends with the wild gang of bank robbers, headed by Micky (Tchéky Karyo) on the train to Paris. After getting back Micky's girl Mary (luminous young Sophie Marceau) from the other rival factions, they proceed to hunt down the powerful Venin brothers who wronged Mary's mother. Léon hopelessly falls for Mary and she does a see-sawing act between two men, driving everyone involved crazy.

L'Amour Braque is just an amazing movie experience. Zulawski's manic energy has no comparison. The film is hard to follow since its dialog is totally nonsensical. But one grandiose, emotionally and physically bare, violent scenes after another, you get into the groove of things. You get to feel the film first, as you try to digest what it all means. Chaos is methodology and it's an amazing feat. His examination of Love and animal instinct is embodied by Sophie Marceau. She eats up the screen. Karyo and Huster do their best, but the film definitely belongs to Marceau. You can't take your eyes off of her when she's on screen.