A young, introverted butterfly collector (Terrence Stamp) in a secluded big house with a separate cellar, moves up his territory when he kidnaps a pretty art school student (Samantha Eggar). After begging and pleading and escape attempts, they sort of agree on their terms - he will let her go after 4 weeks, hoping she will fall in love with him.
With only two principal actors (plus one small character in the middle), this John Fowles adaptation feels more like a play. Young Stamp is intense, playing the role of creepy, shy man with chips on his shoulders. Is it sex that you want from me? Miranda the art student asks him. No. He wants to respect her as a proper woman.
There is a big confrontation over Catcher in the Rye. Their class differences are highlighted and the gap between them is obviously too wide. The film suffers from Fowles passive aggressiveness of the characters and their shallow psychological makeup. Stamp is effectively creepy but the film doesn't quite escape from its Stockholm Syndrome/captive drama mold.
