Sunday, November 23, 2025

Life/Work/Death

No Other Choice (2025) - Park Screen Shot 2025-11-23 at 8.50.00 AM Screen Shot 2025-11-23 at 8.50.21 AM Screen Shot 2025-11-23 at 7.11.18 AM Screen Shot 2025-11-23 at 8.51.13 AM Screen Shot 2025-11-23 at 8.53.12 AM Screen Shot 2025-11-23 at 8.52.37 AM Screen Shot 2025-11-23 at 8.53.33 AM Screen Shot 2025-11-23 at 8.57.46 AM Screen Shot 2025-11-23 at 8.18.03 AM Screen Shot 2025-11-23 at 8.40.05 AM Mansu (Lee Byunghun), a 25 year veteran in a paper mill company with a big house in the countryside with a loving family - wife Miri (Son Yejin), teenage son, ten year old autistic daughter and two golden retrievers affectionately named after his children, just got laid off. Just before he was laid off, he was planning union activities with his subordinates. The only thing he has known in his adult life was the paper mills and he has no prospects other than that industry and with the mortgage company repossessing the house in three months, the clock is ticking for Mansu to get another job.

Taking the cue from his stress, Miri restructures the household in order - no more outlandish meals, no more tennis lessons, no more Netflix, dogs to her parents house, downsize the 2 big cars to one small one and put the house on the market. Mansu refuses to sell the house since it's the one he grew up in and bought it with his own money. And especially, the potential buyer is a sleazy local electronic shop owner who is a dad of his son's best friend. Three months, Mansu tells Miri.

Mansu does research on his competitors just in case Moon Paper, a big paper company, is in need of hiring another manager. He narrows down the potential competitors to two and devises a plan to eliminate them.

No Other Choice says a lot about salaryman life in Korea where you are defined by your work, where your life is completely tied to your job and the job defines you. In Mansu's elaborate scheme - spying on his competition at home and work in order to get a chance to kill them, exposes that they are in the same boat as he is: the grueling unemployment life- the daily humiliation, temptation of alcohol and drugs, suspicion of spouse infidelity, etc. They are the mirror images of himself! But Mansu, trapped in the cruel rat race in the capitalist system, has no other choice but to pursue his plan to save his family from poverty.

As usual, Park Chanwook is a first and foremost visual stylist. There's more visual ideas in No Other Choice than most Hollywood releases in a year combined. Lee, with his model like angular face twitching as a stressed middle aged man, is tremendous as Mansu, the stressed out salaryman. Son, as a practical wife who loves her man, no matter what, is fetching in her coy performance.

No Other Choice touches upon a lot of modern society's illness with satirical humor. There's dying manufacturing industries, automation and A.I. taking over human labor, deforestration and autism. I do not want to compare Park's movies to others, but the head of the family losing his job as a subject, is done before much more realistically in Tokyo Sonata by Kiyoshi Kurosawa. I mention this because there's also a theme of music and gifted child involved. But it's Park Chanwook movie. So it has to be fantastical and much more artificial, therefore less emotionally resonant. It's superb entertainment but boy is it stressful.

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