Saturday, June 6, 2026

War Games

Summer War (2026) - Scherson SummerWar.PlutoFilmMainStill Chilean director Alicia Scherson, adapts Roberto Bolaño's posthumous manuscript The Third Reich into Summer War, with the blessing from Lotaro Bolaño, the author's son (serving as an executive producer). This is Scherson's second adaptation of Bolaño's work, the first one being The Future, based on A Little Lumpen Novelita, about two orphans and a recluse, former beefcake played by Rutger Hauer in Chile. The Third Reich, which was written in 1989, may lack the author's signature style of labyrinthine, POV shifting later works, but is just as sharp and complex in its observations of Latin America under political strife and legacy of colonialism.

Summer War takes place in Chile in February 1989, in the waning days of Pinochet dictatorship. A pasty, bespectacled gringo named Udo Berger (Dan Beirne) is vacationing in Santiago, staying in the same hotel he once visited as a child with his parents. He is there to write an article about a popular strategy board game called The Third Reich. It's a WWII inspired wargame with hexagonal chips with complicated rules and stats. Udo belongs to an enthusiastic players group in the US and takes the game very seriously. In fact, he brought the board game with him to play by himself, much to the chagrin of his gorgeous girlfriend Ingrid (Lux Pascal). Udo narrates that things have changed in Chile and it feels much safer since his last visit - someone describes it as, "like Florida, just a little bit dirtier."

While on the beach sunbathing and swimming, Udo and Ingrid befriend a group, headed by enigmatic Charly (Augustin Padella), an Argentine with his profession and background shrouded in mystery. Udo also notices a man with a burn mark on half of his face, locally known as El Quemado (burnt man), living on the beach, making a living by providing beach chairs and surf boards to beach goers.

One night, to Ingrid's dismay, they witness Charly beating up his girlfriend. When they tell locals about calling the police, they laugh it off. "No, the police aren't going to help." A few days later, Charly disappears after taking his surfboard out to the sea. Udo suspects a foul play. We get the feeling that below the surface of sun-kissed beaches, things are not as safe as it seems. Spooked by all these dark developments, Ingrid goes back home. Udo stays behind, telling her that he will stick around until the missing Argentine is found. Instead, he finds a formidable opponent in El Quemado, in playing the Third Reich with. Udo notices that Quemado is extremely fast at catching up with the game - The Allies are winning! Udo finds out Quemado is coached by a sick old proprietor of the hotel, whose wife he is having an affair with.

On the eve of the dissolution of the Soviet Union and Pinochet stepping down, Summer War examines how the past lingers on in the minds and actions of people. As the board game bleeds into real life, things get intense. The Third Reich might be a harmless strategy game, a theoretical exercise for an American, but for people who lived and experienced everyday violence under dictatorship, which was assisted by the US government, it hits differently. For Quemado, it's not a mere game. He has to defeat the nazis.

Summer War is a synecdochical story of checkered Colonial/Imperialist history and the First World intervention in Latin America. Udo is an arrogant, yet naive man who thinks past memories and infatuations with the place give him the right to be there and stick his nose in other people's business. The film is an intriguing psychological study that is at once seductive and mesmerizing. Just like The Future, her previous Bolaño adaptation, Scherson relies on building a mood and tension rather than explaining things through dialog or narration while dealing with the complex geopolitical dynamics of the region.

Summer War plays part of Tribeca Film Festival on 6/7, 8, 12. For tickets and more info, please visit the festival website.

Haunted House Coming of Age Story

Caity (2026) - Calleran Caity 1 As our world hurtles toward darkness at a breathtaking speed, many filmmakers have tuned their lenses toward family dramas recently: Christian Petzold's Miroirs No.3, Joachim Trier's Sentimental Value and Hylnur Pálmason's The Love That Remains, to just name a few.

With that in mind, Caity explores the all-but-rare family drama: The precious father-daughter relationship that we don't see much in American films nowadays. It's a beautifully written and acted, incredibly well-crafted coming of age/arrested development story that deserves your attention, in the YouTube-grown, genre-dominated American movie scene in 2026. It signals the arrival of a major new talent in American cinema, writer/director Lindsay Calleran.

For the Clark household, it's a season to put up The Clark Family Haunt, a family operated haunted house attraction in upstate New York. We have the overly hyper dad Paul (Morgan Spector) trying to set up everything with the help of his younger teenage daughter Caity (Chiara Aurelia).

With inserts of home video footage of them goofing around and cracking jokes throughout the film, you can tell that Caity adores her dad to no end. With many townsfolk hired as workers for the Halloween season, it's an yearly tradition that Paul takes very seriously with his child-like glee.

While preparation is underway, we see brief glimpses of fractures appearing in the Clarks; mom (Emily Shaffer) tries to put on a sunny disposition, but there is a shade of sadness and tiredness in her expressions. Dana (Olivia Rouyre), Caity's older sister, who works as a waitress in a local restaurant, doesn't want anything to do with the haunted house business; either she grew out of it, or some past experiences irked her. There's chatter about AA meetings that Paul might be skipping.

Caity finds a hidden bottle of vodka in Paul's workshed, but decides to not say anything. She is either in denial that her dad isn't a perfect man, or is not taking his drinking problem seriously or trying to protect him; maybe all of the above.

At 16, Caity is still in a fuck-around-and-find out stage. There is definitely a willing hesitation in Caity not to grow up too fast. She hangs out with her best friend Petey (Michelle Mao), smoking weed, talking about boys and getting drugs from a local drug dealer. She flirts with Hannah (Jordan Hull) and the handsome twins Liam and Sean (played by Jonah and Christian Lees), who are all new recruits for the season. They hook up, play around at the job, and work under the influence, including drinking from dad's stashed bottle.

The Clark Family Haunt features some very innovative scares with laser beams and other gadgets, as well as traditional gothic settings where Caity and others act out in various parts and scenarios. It's a fun working environment for the most part.

Then there's the work behind the scenes; dealing with people's egos- their less than perfect work ethics, the payroll, and the rehearsals. One day, they find Paul locked in his office unconscious, overdosed on something. Things boil over in the Clark household. The season's not over yet, and now Caity is in charge of running the show while Paul checks into rehab.

When we love someone unconditionally, we overlook their imperfections, even though other people warn you about those bad traits in the ones you love. You defend them vehemently until you face the fact first-hand and can't ignore the grim reality anymore. Caity not only learns to accept Paul's problems, but gets to experience how easy it is to fall for the same addiction. She gets to share a deeper understanding of his afflictions.

Caity is a tender, funny and affecting film anchored by Chiara Aurelia, in her stellar lead performance. Her display of a deep emotional range is well beyond her years. She destined to be a major star.

The strong supporting cast includes Zach Cherry (from the Fallout series), Mao, Hull, West Liang (concerned local sherriff) and Shaffer. Calleran's script shines in its authenticity and honesty, dealing with arrested development issues and finding one's identity growing up. The brisk, effective, rhythmic editing by Joe Stankus also stands out, as does Jack Davis' natural camera work. I also loved the super imposition of closeups within the frame and split screen being favored over standard coverages for reaction shots and subtle emotional states.

In these trying times as the world is burning, it makes sense that many great artists put their focus inwards and rely on the family for comfort and strength. Caity exemplifies the need for the comfort and healing that a family provides when things are getting bleaker everyday in a chaotic world we are living in.

Caity enjoyed its world premiere at the 2026 Tribeca Festival tonight, and screens again June 8, June 11, and June 12. Pleae check Tribeca 2026 website for more info.