Monday, September 4, 2017

Some preliminary thoughts on Twin Peaks: The Return

Twin Peaks: The Return (2017) - Lynch
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Defying conventions

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One thing that defined David Lynch's Twin Peaks: The Return is it defied everything we know about the tv or film narrative, genre, structure, casting, sound.... It even defied the original two seasons of the series. He didn't set out to make a lip service for the diehard fans of the old series. Just as he reimagined it with Fire Walk with Me, with co-creator David Frost, he has built a grander, larger mystery on top of the original Twin Peaks frame. But he in any way disrespected the old characters. Notice that it's all the new characters who are fucked up, and all the old characters, growed up and wised up. OK, Shelly is still dumb as a doorknob

Who's dreaming who?

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There have been many time traveling, dimension jumping universe Sci-Fi films and tv shows in the past. Some of these were cleverly done but they were always more interested/in love with themselves in their own logic than its metaphysical, spiritual consequences. None of these shows rose above the rules it sets itself within. Lynch applies it to 'the girl who lives down the lane' story. So much of Twin Peaks: The Return revolves around Dale Cooper and his evil doppelganger but by the end, we realize that he might have been dreamed up by Laura Palmer, a 17 yr old troubled High School girl all along, who died 25 years ago. It was Laura. It was always Laura. Laura is the one. That in fact the whole series, including all the 200 some characters are dreamed up by Cooper who is dreamed up by Laura. But if it's one of those 'it was all a dream' movie, everything is a lie, and it means nothing. But to Lynch, as his other films before this can tell you, dreams are as real and important as real life, that our lives, flesh and blood & meaning et al, may indeed be someone else's dreams. It's a humbling experience for sure.

You can't go home again

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It's a well known fact that Wizard of Oz and Hollywood's golden era influenced 71 year old baby boomer Lynch greatly. There was Hollywood and there was WWII and atomic bomb. Without being cynical, he sees beauty in the darkness in this often contrasting, dual world. Time and time again, Lynch plays with this duality over and over.

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Lynch's approach to his fears and nightmares, whether it be homeless people or that drugged up naked brunette who walked down the white suburban neighborhood street where he grew up on and remembers or trailer park white trash or seemingly normal parents (all the flip side of Land of Aplenty) or a roach-frog he swore he saw as a child or an atomic bomb blast, is to face them head on- exorcising these negative thoughts out of his system on to the screen. They are frightening and mysterious. They are beautiful.

Even well-meaning, special agent Cooper, who splits into two then becomes a whole again by the end, gets lost in his journey to make things right. The past doesn't dictate the future. The wicked witch, born out of an atomic blast, sidetracks him. He is as lost as poor Laura Palmer.

Mystery continues, beauty retained

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The Return's finale was as frustrating as it had been expected. Part 17 neatly wrapped many of the messy threads the show was building up to. It was indeed the actual ending of one mystery, just as Lynch and co opened up another one with Part 18. Thankfully for us, the mystery continues and retains its beauty forever as the show ended. The whole show was still the most exhilarating viewing experience ever. It provided most beautiful, spellbinding imagery I've ever experienced in my life. Part 8 alone is the most cinematic, thrilling event of all time in tv/film history, easily topping any Brakage or Malick had ever done.

I just feel so fortunate that this summer we were blessed with 18 hours of new Lynch creations. Even if Lynch doesn't make another movie or tv show for the remainder of his life, this has been a true blessing. And I am very grateful for it ever happening.

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