Showing posts with label Greta Gerwig. Show all posts
Showing posts with label Greta Gerwig. Show all posts

Friday, November 15, 2019

Bye, Bye Birdy

Lady Bird (2017) - Gerwig
Lady Bird
Whether you have preconceived notion about the film's creators' gender, race and upbringing, because...whatever the reason - not universal enough, too era specific, too narrowly personal, Greta Gerwig's Lady Bird is a great coming of age film. It's endlessly charming and you want it to go on much longer after its short one hour 30 some minute running time. The film concerns Christine "Lady Bird" (played by Saorise Ronan), who is a senior at Sacred Heart Catholic high school. She is from a low income working class family in Sacramento suburbs. Her mild mannered aging dad is just about to lose his job. Her adaptive brother works at a grocery store with his live in girlfriend, the same grocery chain the family has been going for years. Her hard working nurse mom (played perfectly by the great Laurie Metcalf) is struggling the family finances.

Lady Bird longs to get away from Sacramento to some liberal art college in the East Coast. In the mean time, she will need to be content with being a high schooler in a mondane setting and engage in some mischiefs, romance and do the best she can at being herself.

Gerwig, who is known for her screen persona as an endlessly charming underachiever in such films as Francis Ha, naturally translates that energy in her script. Lady Bird is not some jaded know it all but rather, comes across as a genuine goofball who is growing up to be a unique person and personality. Sure there are archetypes around her - a closeted gay theater major, a brooding bassist who reads Howard Zinn, a rich girl who has a tanning bed in her house, etc. But Lady Bird feels genuine. Ronan blends in to a role easily, despite her beautiful grown up face that goes against the high school type.

Lady bird is a funny, genuine and heartfelt coming of age film that are rare in American films. I guess I have to see The Edge of Seventeen next.

Thursday, February 26, 2015

I'm Not a Real Person Yet

Frances Ha (2014) - Baumbach
 photo 780f05ff-5505-49c0-915f-13fe05badac2_zps8sposwqq.jpg
I am more than mildly surprised by Noah Baumbach's acute observations of 20 somethings giromance movie Frances Ha. No less impressive is Greta Gerwig's performance as Frances, a young woman with a case of post-college blues. At 27, while painfully aware of time passing and her aimlessness, Frances hops around overpriced New York apartments filled with equally underachieving, too-clever-for-their-own-good 20-somethings with their parents' money. There is no visible obligatory character arc Frances has to reach. Her goofy, girl-next-dormroom persona stays put throughout. "I'm not a real person yet," she replies in one of the conversations. It's an easy justification/defense mechanism of the man-child, but also the truth. Things get a bit real: her roommate/best friend Sophie moves in with her boyfriend. She doesn't get the dance company job where she dances as an apprentice. And she doesn't have money to pay for a Chinatown apartment she shares with two hipster boys.

After a blissful, yet way too cozy Christmas break back home in Sacramento, things hit a sour note. After insisting to crash at one of her friend's apartment, it becomes apparent, whether she realizes it or not, that her goofy antics are not that fetching to anyone anymore. But instead of getting her shit together, out on a whim, she takes up on the opportunity of staying in an apartment of acquaintances in Paris for a weekend, just before an interview for a job at the dance company that she may or may not get, blowing money on plane tickets.

The thing is, I've known plenty of girls like Frances and I can't help myself rooting for her to succeed, whatever that might mean. Gerwig's adorable with her catoonishly big smile and manly works and her 'undate-ableness' and all her small quirks. Frances Ha is a chatty movie but never expository, focused yet universal and a visual marvel featuring unassuming streets of New York in black and white. Baumbach gets extra points for aping Modern Love sequence from Leo Carax' Mauvais Sang.