Showing posts with label Tom Burke. Show all posts
Showing posts with label Tom Burke. Show all posts

Monday, June 3, 2024

Joie de vivre

Furiosa: A Mad Max Saga (2024) - Miller Screen Shot 2024-06-03 at 8.14.56 AM George Miller proved himself to be a unique action filmmaker when he revived his Mad Max franchise in 2015 with Mad Max: Fury Road with Tom Hardy as the titular anti-hero in a post-apocalyptic wasteland that was Australia. The kinetic energy, physicality, the mindboggling stunt work, rigging and colors with hardly any dialog looked and felt different than any Hollywood run-of-the-mill actioners. But there were two heroes that emerged from the film. One Mad Max, the former cop with his family murdered, wandering after the apocalypse to survive the dog-eat-dog world whose good heartedness has been hidden in grunts and cynicism. With its franchise history, we knew his background a little. We know what made him who he is. But Furiosa, the tanker driver, embodied by Charlize Theron, emerged from nowhere and stole the show. So, the next logical step for Miller to do is continue the saga with her in mind. And he does, gloriously.

Furiosa (Anya Taylor-Joy) is first seen being kidnapped by bandits from the Green Place- the place of abundance, governed by many mothers (who were shown as bike riding grannies in the previous film) who had sworn to keep the place secret from the outside world. Furiosa is taken to Demetus (Chris Hemsworth with a fake nose), a ruthless lord of a bandit gang. She is almost rescued by her mother, but Demetus recaptures them. Desiring to capture Immortan Joe's citadel which has water, food, and ammo, he exchanges Furiosa to become in charge of the Gas Town.

Furiosa, avoiding becoming a kept cycling baby machine for Immortan Joe, proves herself useful with machinery while posing herself as a boy, while scheming to break out of the citadel and kill Demetus. She befriends with Praetorian Jack (Tom Burke), the War Machine- a decked out tanker driver who becomes her mentor.

Just as the previous film, the set pieces featuring shiny silver tube War Machine on the road to and back from Gas Town is a movie-going experience to be had. The chase from both the ground and the sky, it's a spectacular display in acrobatics and vehicular mayhem.

Demetus, however brutal and ruthless he is, turns out to be a shitty leader. He cares very little about how to run his crew. He thrives in chaos. Immortan Joe is a cult leader, with those countless War Boys sacrificing himself for him for the promise of eternal life. Demetus's speech at the end to Furiosa reveals quite a lot, that he and she are 'already dead.' Come to think of it, Max and Demetus are just the flip side of the coin. He carries a teddy bear chained on his front, as a reminder for his wife and child who died, just like Max's. Even though they are from similar origins, Max bowed to avoid the human race and lead a solitary scavenger existence, Demetus became an all-out tyrant, relishing in chaos with joie de vivre attitude. It's the fleeting joys of destruction and cruelty he is after. And why not? Furiosa doesn't know it yet, but as we witnessed in the previous film, the Green Zone is gone. We know that she has to deal with the political bullshit of controlling and governing over marauding citizens of citadel. Who wants to deal with that?

But I hope Miller keeps making these. It's loads of fun.

Thursday, August 8, 2019

Amour fou

The Souvenir (2019) - Hogg
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Joanna Hogg's new film, The Souvenir, drawing from her own experience in her 20s, tells a delicate story of amour fou. On the onset it looks like another one of those involving a charismatic older man taking advantage of a younger, more fragile woman story, or some fluff about a rich white girl being manipulated, but Hogg is such a strong director/writer who has an ability to deeply empathize with her characters, you can't help but be moved by it in the end.

Julie (Honor Swinton Byrne) is a film school student from an affluent family. She is still figuring things out. She wants to make a film about working class people in Sunderland: a story of a boy and his strong attachment to his mother. Her advisors try to steer her toward making something that she knows and is perhaps more comfortable with. But just like anyone around that age, she is quietly rebellious and wants to go through it in her own way. She is afraid that she won't grow as a person if she doesn't get out of her comfort zones.

Julie meets Anthony (Tom Burke). With his slurring words, arrogant but confident attitude and bitter outlooks on life, he is extremely magnetic to her. He is apparently working for the Foreign Affairs agency or something mysterious like that (we never get to see him working really). It's the Thatcher's England in the 80s. There are bombs going off on the street and news of kidnappings on the radio.

The romantic notion of being in a relationship with a mysterious, intelligent, charismatic person, Julie neglects to see his imperfections - he is always broke and constantly asking for money and has needle marks on his arms. She is so green that it takes her a while to realize that Anthony is a heroin addict. It is infuriating for the viewer as she forgives him and lets him get away with taking full advantages of her financially time and time again as he lies and even steals from her to satiate his habit. Against good judgment, she keeps asking for money from her parents, especially from her stern but caring mother (Tilda Swinton, Honor Swinton byrne's real life mother).

Their intense relationship is eating Julie up and she falls behind in her studies and gets isolated from her circle of friends. But the film makes unexpected turns: after catching him red handed with a needle, she finally kicks him out. She puts her life back on track - studies, new lovers etc. Anthony appears in her life again. He is still broke, charming but broken. He cries and suffers greatly while kicking the habit.

Even the power dynamic has changed, Julie can't help but loving him.

Every writer or film director encounters the criticism at some point or another when they try to create something not related to your life or your background. The Souvenir examines this aspect in the film. But every film Hogg has done so far, there are elements from her life in it. And she is not apologetic about it. Calling The Souvenir an autobiographical filmmaking would be selling the film short. It's a delicate film that doesn't seem to have a special agenda other than humanizing the aspect of the people she encountered earlier in her life. With her baby face and pale complexion and her gaping mouth, Swinton Byrne is terrific in the role of Julie. But it's Tom Burke who steals the show here. His charming yet slightly dangerous demeanor - a cross between Oliver Reed and Hugh Grant is magnetic.

We meet people in our lives who changes and shapes you when you are on the verge of adulthood for better or worse. The Souvenir succeeds in eulogizing that period of your life lovingly and poignantly. One of the year's best.