Sunday, December 13, 2009

Herzog's Americana Continues...: My Son, My Son, What Have Ye Done

My Son, My Son, What Have Ye Done (2009) - Herzog
In a nutshell:
Lynch
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God
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Eagles in Drag
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Dinosaurs in Drag
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Orestes
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Dessert
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My Son, My Son, What Have Ye Done

Odd. Still undeniably Herzog. It's as if Herzog, hung over from some sleazy Hollywood party the night before and picked up a beer and vomit soaked local paper strewn over the floor and read a police blotter and thought it would make a great movie:

A man killed his mother with an antique sword then locked himself up in his San Diego home, holding his two pink flamingos as hostage. His fiancée said he wasn't the same since he came back from his white water rafting trip from Peru last year.

I imagined him ripping it out from the paper and phoning David Lynch while patting down his wild morning hair to make himself somewhat presentable. "David, Werner here. I got an idea for a movie you'll want to produce. It's got two pink flamingos named McCullum and McMurdoh, black jell-o and Grace Zabriskie!"
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Michael Shannon's Brad is a total mental case with severe mommy issues. Obvious case in typecasting, with his I'm-gonna-keeel-you stare with buggy eyes, Shannon is more intense here than his schizophrenic vet in Friedkin's Bug. There are patches of brilliance throughout, provided by hammy supporting cast - Willem Dafoe as a veteran detective, Chloë Sevigny as Brad's concerned fiancée, Grace Zabriskie as nosy, hilariously weird mom, Udo Kier as a pretentious theater director and the great Brad Dourif as uncle Ted who owns an ostrich farm. It's Dourif who gets to spew crackling bigoted, racist one-liners. He also materializes Herzog's long time wet dream: midget riding the world's biggest chicken tied to a tree chasing the smallest donkey, going round and round, if only in conversation. There are couple of Tableau shots where actors collectively stop in their mid-action. They are as silly as the on camera slow-mo punch in Beau Travail but work well here as comic reliefs. My Son doesn't quite measure up to his greats but Herzog's experiments in portraying absurd, ultimately sad Americana continues.

Related posts:
Cave of Forgotten Dreams
Bad Lieutenant: Port of Call New Orleans
Encounters at the End of the World

Friday, December 11, 2009

Invisible Explosions: Exploding Girl

The Exploding Girl (2009) - Gray exploding Upon seeing above picture, against my better judgment I went to see Exploding Girl. You see, I don't really watch these kind of movies. It is directed by Bradley Rust Gray, an indie director better known as the husband/partner of more famed indie director So Young Kim (In Between Days, Treeless Mountain), shown as a part of BAM(Brooklyn Academy of Music) Cinemateque's Bradley/Kim mini retro(They've done only two features each), paired up with some of their favorite films.

With its misleading, ironic title, The Exploding Girl (I hear it's a riff on the Cure's Exploding Boy) is a small movie in every sense. The film observes Ivy (Zoe Kazan, granddaughter of Elia Kazan), a college student back home in New York City during the Summer break going through a little bit of heartbreak and little bit of romance. Garden State it's not- not much of narrative/dialog, no parent/child drama. It's not a statement on today's youth nor about womanhood and there is no grand acting to speak of. This economically done film belongs to Kazan- with a lot of tight close ups, we intimately get to observe Ivy, a rather introverted, unremarkable college girl. Perhaps it's her youthful looks and inquisitive eyes full of wonder or her vulnerability that appealed to me. Even though I didn't think the ending was that necessary, I liked this small film a lot.

The quick Q & A session was intimate, as recognized Gray's cinematographer (Eric Lin) who's been shooting a lot of student films. Certainly my generation of filmmakers (in their late 20s to 30s) were influenced heavily by WKW. Gray confirmed that. Then he mentioned Cafe Lumiere, and how he wanted to emulate the look and feel of the film. With Ramin Bahrani (Man Push Cart, Goodbye Solo) and other minimalist Americanindie filmmakers (Kim, Kelly Reichardt), Gray has a sensitive, economical way of doing things which appeals to me greatly. Their films may lack the smooth stylings of their idols but they have this unkempt grittiness that is quite unique and endearing.

Monday, December 7, 2009

Ghanavision: Hand Painted Film Posters from Ghana

I stumbled upon these awesome posters while browsing for books:

These are painted on empty flour sacks to promote mobile VHS theater. They specialize mostly in 2nd-3rd rate Hollywood action/horror and HK martial arts movies.
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Ghanavision at Amazon

Saturday, December 5, 2009

Hankies: A Christmas Story

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“Is there anything you want for Christmas, mom?” I ask.
“Oh, nothing.” She says.
“Come on, I’m sure there’s something you want.” I push on.
“Well… how about some handkerchiefs then?”
Handkerchiefs? After I hang up the phone, I realize asking mom to tell me what she wants was a big mistake. But I was out of ideas and it’s already the 15th of December. Where does one find women’s hankies? Are there differences in men’s and women’s? I am totally lost.

What do people do with their hankies anyway? I understand that they are environmentally sound, less waste. But do you really want to carry around snot stained scrap of cloth in your pocket? It sounds rather unsanitary. Well, that’s what mom wants.

I frantically ask people around me where to find women’s hankies. They are just as clueless as I am. A handkerchief in this day and age sounds as antiquated as a phonograph.
At my co-worker’s suggestion, I check the Craig’s List online. To my surprise, I find a handkerchief seller’s post with pictures in no time. Thank you technology. Colorful hankies. The seller is located in the Upper West Side. I can pick them up around this time tomorrow at my lunch hour. I reply to the post promptly, requesting immediate response since the time is ticking away.

My phone rings at almost ten at night. His name is Lee, Mr. Handkerchiefs from the Craig’s List.
“I have lots and lots of handkerchiefs. What kind of handkerchiefs are you looking for?” asks Lee in a gravelly voice.
I explain that they are for my mother as Christmas gifts.
“Does your mother like colorful stuff? Is she flamboyant?”
Flamboyant? My mother?
“No.”
I could hear him jotting down, NOT, FLAM-BOY-ANT.
I tell him that I’ll need something simple and conservative. We reconfirm each other’s phone number. He gives me directions to his apartment.
“Who was that?” My wife asks me.
I tell her about Mr. Handkerchiefs.
“What, some old guy is selling women’s handkerchiefs out of his apartment? And you are going up there?”
“I guess.” I say sheepishly.
“You know how it sounds right? It sounds like the beginning of a crappy horror movie. He could be a serial killer!”
“Honey, I think I can take care of myself.” I protest.
“He is luring young men like you with colorful hankies. You’re gonna end up in a snuff film. You’re not going up there!”
She’s half joking. I love it when she gets all maternal though. We compromise: I won’t go into his apartment. I’ll meet him outside his building. She makes me promise.

During my lunch hour, I go up to Seventy Fifth. I usually have no reason to go up to the Upper West Side. That’s where the rich people live. And it’s cold. The sky looks grey and menacing today. My heart beats a little faster as I approach the building on Seventy Fifth West. I can’t help it.
Lee meets me downstairs. He seems like a nice old grandpa. He is wearing a Braves sweatshirt and has fuzzy tufts of white hair on each side of his temples. My fears melt away. Then he invites me in.
“They are in the hallway. I brought them down.” He says.
I hesitate. My heart starts to beat again rapidly. My wife’s worried face and her words ring in my head.
“Come on in, it looks like it’s gonna come down any minute.“ He opens the door for me while looking up at the sky.
I will go in to the building but won’t go into his apartment. I tell myself. Life is series of compromises.
He has several plastic bags filled with old linens. It’s like a library of hankies if there was one. After exchanging some pleasantries, he shows me some of the gift boxes he made in advance. They are perfectly nice. I choose simple white ones with some embroidered flowers on them. He says he picked them up from Hungary long time ago. Some hobby this old Lee has.
I pay him and thank him. All went well, I think to myself. I turn to leave.
“Do you know someone who fishes?” Lee asks
“I can’t say I do.” I reach out for the door.
“Because I have a perfect gift for a fisherman. You can say no, but here…" He bends down to get to his small blue suitcase at his feet.
“It’s a fishing knife.” He continues. My heart skips a beat.
“No, no thanks.”
“Wait, it’s a perfect thing for fishing. It’s double serrated and has a measuring markings on the handle… you can fillet the ones you just caught and measured right away…” He is having a hard time with the zipper on the suitcase which is possibly filled with full of knives you can fillet something with.
I thank him profusely and run out the door. I don’t stop running until I reach the train station. Then I notice big white flakes of snow falling: the first snow of the season.

Friday, December 4, 2009

Living God: The Sun

Solntse/The Sun (2005) - Sokurov
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Emperor Hirohito, who was responsible for WWII and unimaginable atrocities around Asia under Japanese Occupation gets a slight, unsatisfactory treatment from Alexandre Sokurov as a part of his tetralogy(Moloch/Hitler, Taurus/Stalin and Faust on the way). It takes place in the last couple of days before his infamous speech that broadcast all over Japan denouncing his divinity as Japan surrenders unconditionally to Allied Forces, thus effectively ending WWII.

Hirohito(Issey Ogata), is seen in his hideout bunker/biology lab, going through daily routine that is set up for him by his servants. A marine biologist by profession and fan of Darwin, he admires a hermit crab for its perfection, a miracle of nature. And we get to see Sokurov observe and dissect him for an hour and forty minutes. With his fish mouth and facial twitch, Ogata's Hirohito is not an attractive specimen, far from perfect. Never sentimental nor dramatic, the Sun mostly concentrates the encounter btwn the emperor and Gen. MacArthur. Their exchanges are short but pointed and funny. "How do you feel being a living god?" Asks the Supreme Commander. Hirohito replies, "It's not easy being an emperor." The emperor is a well educated, multilingual, intelligent man who has his own opinions on the war strategies and even acknowledges the psychological nationalistic fervor of his soldiers alone wasn't enough against well equipped, overpowering Americans. There are constant funny bits about vulgar Americans calling him Charlie(Chaplin) because of his short stature, his top hat and mustache, and MacArthur treating him like a child(in a sense he is). MacArthur even sends a case of Hersh's almond chocolate bars as a gift.

There are some strange CG scenes as the emperor imagines Tokyo getting bombed by flying fishes. The sound design - constant bird chirping, radio wave noise, is very unnerving yet doesn't quite fit the solemness of the film.

The Sun does not trivialize its subject nor it digs deeper into the infamous man's innerlife. It's all very surface-y and coldly observed. I mean, I didn't expected it to be like the super dramatic Last Emperor or anything, knowing that it's a Sokurov movie. It has more common with Last Days as a (sort of) biographical film. Then again, it's a historical figure who's responsible for millions of deaths and atrocities and not some musician who offed himself. A lot more needs to be said about the man and Sokurov didn't deliver.

Wednesday, December 2, 2009

Amber Ale Beef Stew over Garlic Mashed Potatoes

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Stew:
2 pounds lean beef or lamb chunks, cut in smaller pieces
2 medium onions diced
1/2 cup peeled fingerling carrots
1/4 cup frozen green peas
1 cup button mushroom stemmed and cut in quaters
4-5 cloves garlic sliced
2 bay leaves
1 bunch parsley chopped
2 cups beef stock
1 cup amber ale or stout (I used a Chocolate Stout once and it was great!)
1 tbsp butter
1 tbsp flour
1 tsp sugar
olive oil
salt and pepper

Add some olive oil and butter in a large heavy pot with lid. Brown meat on both sides while sprinkling salt, pepper and flour in high heat. Set aside, juice and all. In the same pot, add onions, garlic, carrots, saute for 3-4 minutes. Put back the meat. Add bay leaves and beef stock, bring it to a boil. Add beer. Boil 3-4 minutes. Reduce heat to low and put cover on. Cook for 1 hour. Add peas and mushroom. Cook another hour. The liquid should be significantly reduced and meat be melt-in-your-mouth tender. Garnish with parsley.

Mashed Potatoes:

2 large potatoes peeled cut in quarters
3-4 cloves garlic
1 tbsp butter
2 tbsp milk
salt and pepper

Boil potatoes and garlic 10-15 minutes or until cooked. Drain, mash potatoes and garlic while adding butter, milk, salt and pepper.

Put some mashed potatoes in a bowl and top it with the beer stew. Feeds 3 hungry men or 4-5 normal people.

Teen Amour Fou: I'm Gonna Explode

Voy a Explotar/I'm Gonna Explode (2008) - Naranjo
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It starts with Roman (Juan Pablo de Santiago), an upper class trouble kid getting expelled from a private catholic school by plotting murderous rampage in his note book. The film is narrated by another troubled soul Maru (Maria Deschamps), and they hook up after her school talent show where Roman performs his "See you in hell" routine. They are match made in heaven. They decide to hide out on the roof of Roman's big mansion (his dad is a sleazy congressman) while grown-ups scramble around to find them.

The natural soft look with crushed black and handheld camera work are just gorgeous. Guanajuato an affluent town in Acapulco backdrop is also beautiful. The two young leads are great, especially Deschamps, with her frizzy hair and mischievous baby face. Their daily routine on the rooftop is playful and funny. Roman keeps trying to have sex with Maru to no avail. These young teens interactions are very natural and endearing. But you feel the inevitable is approaching. Their days in paradise isn't gonna last long.

If I'm Gonna Explode is saying anything, it's the reflection on the blank generation. Roman and Maru get bored. It's just like Simpson's episode where Bart tries to imagine Itchy and Scratchy show in his head all by himself after the show gets canceled- "Nothing can't beat the imagination of a 10 year old boy", Bart tells himself while the mouse & cat ldling, looking at the watch and each other and shrugging their shoulders in his mind. The bigger problem with I'm Gonna Explode is in Naranjo's writing. Once stuck in the mold of its predecessors, namely French New Wave, it has to end predictably, hence wasting all the youthful energy and charm of its characters it fed off of. The other teen Amour Fou this year, Love Exposure, albeit directed by a less classically trained director, Sion Sono (Naranjo went to AFI, Sono was an underground poet), works a lot better in many different levels. Still, clocking at mere 105 minutes, the film captures what it feels to be young and an outcast perceptively. The film is fresh and Deschamps is adorable.

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Sunday, November 29, 2009

Soul Searching

Went to see Robert Bergman's photo portraits at P.S. 1. He took these intimate if not uncomfortable photos over the years(mid 80s through 90s) traveling The Midwest and East Coast.
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As we stare at Bergman's large scale photographs, his subjects with their large eyes stare back at us. It's an indescribable feeling. Observers being observed. If these were taken by some twenty something Williamsberg hipster, I'd have screamed "EXPLOITATION!" But Bergman, 65, who'd never had an exhibition before this, achieves something quite extraordinary I rarely get to see in photographs.

Saturday, November 28, 2009

Ah, the treasures you find in the gutter

I was walking down the street today in my neighborhood and found a pile of Indian audio cassette tapes on the sidewalk. Either some unlucky guy was thrown out of his house with his music collection or he felt the digital age has finally caught up with him and decided to ditch his cassette player along with his once precious tapes. Some of the cover arts were so endearing I had to pick them up. I mean, just look at them!
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I imagine him experiencing his first kiss, even getting laid while blasting one of these tapes. These are time capsules of someone's precious memories!
Insert of Tarazu:
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All I have to do is find a tape deck somewhere to play these gems.

Friday, November 27, 2009

Thanksgiving. Turkey Dinner. The Road...

The Road (2009) - Hillcoat
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This has been the most anticipated film of the year for me after reading Cormac McCarthy's gripping book. Plus, when it was announced that the director, John Hillcoat, of The Proposition - a brutal, revisionist Australian Western would be helming the project, about two years ago, I thought he was an apt choice. And The Road the movie is pretty much true to the book. Viggo Mortensen's portrayal of the man who'd die for protecting his young son in a post apocalyptic world is touching- his gaunt, wrinkled face communicating more sorrow and sadness than thousand words. His meek narration is that of a person who'd given up hope long ago. The gray world where everything in nature (even the ocean) had died is completely hopeless. It's a bleak world. What's left of morality is measured by whether you would resort to cannibalism if you are starved. The Man has to keep reiterating to his son that they are the good guys.

Missing are the terse prose of McCarthy and sense of desperation. For a film version of the Road to work, it should have been absolutely brutal. I don't think all the background information in the narration was that necessary. For the emotional impacts, Hillcoat could've held shots a little longer to showcase those bleakest settings. The flashbacks with the wife (Charlize Theron) were adequate and not too schmaltzy. Is the boy meeting another family with father, mother, two young children and a dog negates the wife's decision to off herself? It made me think of what I'd do in that situation. The world is destroyed and has no future whatsoever. Her decision could be seen as quite rational.

My lady just pointed out that as much as we love Nick Cave, the music was too much, too saccharine. It would've been better without any music.

It's a perfect Holiday movie that makes your fuzzy and warm inside. Hahaha.

Tuesday, November 24, 2009

Plays Bassoon with the Wolves: Never Cry Wolf

Never Cry Wolf (1983) - Ballard

Tyler, a nebbish biologist(played subtly and gracefully here by Charles Martin Smith), sent by the gov't to Alaska to study the disappearance of caribous finds unforgiving mother nature first hand when he gets dropped off in the middle of snow covered vast landscape by a crazy redneck pilot/entrepreneur Rosie (Bryan Dennehy). With all his equipment and cases upon cases of frozen beer and cans of asparagus in tow, he would die out in the cold for sure, but a mysterious Innuit Ooteh saves him. He finally gets his post set up and befriends a couple of wolves (George and Angie) and their cubs. Tyler feels kinship toward Ooteh because in their dreams, they both experienced being devoured by wolves. The all-wise Native mysticism is present here but never plays out as corny. After all, for Innuits, wolves are $350 per pelt each. That means food for the family, a new snow mobile perhaps and even new teeth.

Ballard, a veteran nature doc filmmaker and his cinematographer Hiro Narita capture some of the most beautiful scenery ever filmed. Tyler coming across the caribou herds and hunting naked with wolves is just one of many spectacular scenes in the film.

There are a lot to be loved here. Smith's Tyler is at first bumbling catastrophe but slowly gets into grooves with his surroundings. There are no real good guys or bad guys in nature, just survival of the fittest he learns. It's a beautiful movie.

Saturday, November 21, 2009

Slash: Paper Under the Knife

I've never been to Museum of Art and Design (MAD) located at the Columbus Circle. For some reason, its ultra modern design never tickled my fancy. Here is the building:
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Then I read about an exhibition entirely made of paper there. So my lady and I went to check it out despite the discouraging $12 ticket price. And boy was it worth it! It was perhaps the most satisfying art exhibit I've been in a long time. Something about seeing extremely detailed, labor intensive work based on a simple, elemental material like paper brings out so much joy in me. I got nothing against collages but when it comes to utilizing paper, there is nothing like intricate paper cuts. Standouts are:

Andrea Dezsö:
MAD,Slash: paper under knife
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Dezsö Tunnel Books- delicately layered and painted small dioramas were my favorites. Too bad pictures I found online don't do her work justice. They are really something. Full of imagination and stories.
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Ed Pien
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Large scale, intricately cut silhouettes. Beautiful.
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Andrew Scott Ross
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Loved the line qualities on this. Playful.
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Rob Ryan
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I've seen Ryan's work as book covers. Use of images and letters, his stuff had more controlled, victorian silhouette sensibilities to it.
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And of course, undoubtedly, Kako Ueda's work Reciprocal Pain was one of the highlights of the show
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Friday, November 20, 2009

Labor Pains: An Injury to One

An Injury to One (2002) – Wilkerson
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“An injury to one is an injury to all” was a motto for IWW(Industrial Workers of the World, its members known as Wobblies), an all encompassing radical labor union, in the turn of the last century. Some of the more famous wobblies include – Bill Haywood, Emma Goldman, John Reed, Joe Hill and Ralph Chaplin. To keep the long story short, IWW was crushed by the country entering the first World War where war profiteering companies and the US gov’t were in cahoots to exploit workers.

Wilkerson’s visually elegant, well-researched experimental doc tells a story of Frank Little, a wobbly organizer who was known for his fiery speeches. He was beaten, dragged behind the car then hanged on a railroad trestle by Anaconda Copper Company’s hired thugs in Butte, MT in 1917. Butte, back then, was a Gibralter of the labor movement and Little was sent there after the mine fire in which took the lives of 168 miners, caused by extremely hazardous working conditions, still the worst mining disaster in history.

Using black & white, color stocks and split screen presentation, Wilkerson’s thesis student film is quite beautiful to look at. Words appear on the screen against dead desolate town that is present day Butte, punctuated by simple guitar soundtrack.
Wilkerson’s implication on the Joe McCarthy and Daschell Hammet’s involvement(as a Pinkerton detective) in lynching of Little is a bit far fetched but over all the impact of the film is already felt in the beginning with 3’x7’x77” (dimensions of Montana grave) sequences.

I watched An Injury to One at Maysles Institute in Harlem. Two of my dear friends who are present day wobbly labor organizers did a Q & A on the state of IWW today. With many of manufacturing jobs gone and the American work force heavily dependent on retail and service industry, the need for union protections and benefits among transient workers are greater than ever. Starbucks workers union has made some strides organizing and improving working conditions of its workers. But the in country where only 9% of the workforce(public sector) and 6%(Private) are unionized, they are fighting an uphill battle.

The picture quality of the film was terrible. I’ve seen a pristine copy of An Injury before and was excited to see it on a big screen. And the Maysles Cinema isn’t really up to par as a film screening venue. But its eccentricities made up for it. For instance, a crazy old black gentleman in a flamboyant suit and a Rick James wig started singing Hava Nagila and Irish National anthem before the show, then proceeded shouting non-sequiturs in his sleep during the film and Q & A through out. Then we experienced Albert Maysles outside the theater curbing an old timey popcorn machine. Weird night it was.

Here is my travelogue to Butte, MT 2 years ago, if anyone's interested:

http://www.writerscafe.org/writing/obviously/455229/

Tuesday, November 17, 2009

Reincarnation: Unmistaken Child

Unmistaken Child (2008) - Baratz
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A Tibetan Buddhist Tenzin Zopa has a grand task of finding a reincarnation of his beloved mentor/Buddhist master Geshe La(Lama Konchong). After consulting astrological experts and advices from elders, Tenzin sets out for a small mountainous town in Tsum Valley in Nepal with little indications on what to look for. As he admits, he can not be sure, he's not Buddha. After interviewing many little-more-than-a-year-olds and their parents, he finally finds the possible reincarnate in a little boy. It's quite something to see the little one not letting go the rosary that belonged to his possible former self. The boy is then tested by other older, more estimable monks then finally gets approved by Dalai Lama himself. The process is fascinating and much more graceful than Catholic rituals.

The emotional journey is beautifully shot and the setting is spectacular. The doc is intimately narrated by Tenzin in his very good English. It's his long soulful face that communicates thousand words without saying much. A beautiful film. I gasped when the credits rolled though. The film was shot by my friend Yaron Orbach. Then I remembered him telling me stories about his trip to Tibet 4-5 years ago. Good job Yaron!

Monday, November 16, 2009

Needles

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The Vanderbilts were obviously well off. The little Vanderbilt, that snot-nosed little brat, needed a piano in his room on the second floor of their giant white mansion on Long Island. So they called The Sullivan Moving Co. And that’s how Red Sullivan hurt his back on Tuesday.
It was rainy, and the grounds were muddy. And Mrs. Vanderbilt made Red and his partner wear plastic bags over their muddy work boots in a very contemptuous manner. It was not going to be a good day. Red knew. It happened in the middle of the spiral staircase. Rodrigo, his go-to guy among his crew, was manning the front of the piano and Red in the back, going up.

Red was a big, strong man in his prime (or so he thought) who just turned thirty nine that year. “You are as old as Homer Simpson now.” Missus Sullivan joked, as she pulled grey hair out of his temple with tweezers one morning. Silly woman.

A sharp pain shot up through his left shoulder and neck. Hmmph. It almost knocked the wind out of him. His muffled internal cry was loud enough, Rodrigo looked back concerned.
You OK, boss?
Can we stop for a sec? Red barely managed to say.
He looked up the top of the stairs and saw the little Vanderbilt sitting there picking his nose.
I don’t know how they managed to get the piano up, but they did. With great difficulty I’m sure. They exited the building as the little brat hammered on the keys some post-modern masterpiece.

* * * *

Red screamed as Missus applied some Ben Gay on the troubled spot on his hairy back. Ben Gay, the name always bothered him. Ben Gay on my back. He shuddered.
Missus told him to see a doctor right away. He whined about the ineffectiveness of going to the doctors. They are all swindlers. All they want is your money. He said with utter contempt.
In fact, Red hated going to the doctors. It had been at least two years since he stepped his foot in one: he hated the idea of a needle going into his flesh. He couldn’t think of anything more helpless than having someone poking him with a sharp object against his wishes.
Don’t give me that macho crap. You are gonna see that old doc of yous pronto!

That night in bed, Missus remembered while rolodexing her brain the list of doctors she knew, Gerry, a neighborhood kid who grew up to be a medical student at some ivy league school. He was studying Eastern Medicine and acupuncture.
I hear it does wonders. She said.
They teach stuff like that in school now? He said incredulously. She gave him a look.
As he laid himself down in bed, the pain shot up.
Anyway, I doubt that our insurance will cover that.
Well, nowadays, you never know. You are not afraid of needles are you?
He had to roll to the side, facing away from his wife.
I’ll go see Strauss. He said.
I hear it’s good for snoring too. She threw that in just as she turned off the light.
Red couldn’t get an appointment until Friday with Dr. Strauss. The pain didn’t go away let alone subsided. He was in real misery the last few days.

* * * *
The young Hispanic receptionist was on the phone chatting away as usual, not paying any attention to Red’s miserable state. He waited waited waited for her to get off the phone. She waved him off twice already. His appointment was at four, about thirty minutes ago. His face was getting red. He prided himself in being a patient fellow. But lately, everything was getting to him. He needed to calm himself down, really. Tranquility. Relaxation. Meditation. What luxurious ideas. He let out a big sigh, got up and approached the reception desk once more.
Did you want something? The little Dominican twat finally looked up from her phone receiver.
I…had an appointment at four. He flashed his grinding teeth. It was supposed to be a smile.
What’s your name again?
Sullivan. Red Sullivan.
Is this your first time here?
Calm yourself down. Nothing good can come out of losing your cool. The voice inside his head said.
No, I’ve been coming here for years.
I gotta go, she said irritably to the receiver and finally hung up the phone. What’s your name again?
Sullivan.
Sullivan what?
As he entertained the thought of breaking through the windows and grabbing her neck and snapping it like a twig, a young attractive woman in a lab coat opened the side door. She was wearing a silk blouse and a short skirt underneath the coat. Her black high heels made a sound that reminded Red of Fred Astaire movies.
Mr. Sullivan, come on in. She picked up the Sullivan’s medical file from the receptionist’s desk.
He followed her to a small examining room skulking in pain.

Sit yourself down here. She patted the examining table with her slender fingers. She looked in the file.
Mr. Sullivan, you haven’t been here for more than two years. Are you afraid of us? She smiled mischievously.
His eyes followed down her neckline as the top two buttons of her blouse were undone.
You are not Dr. Strauss. He finally said, smiling as his anger from minutes before was subsiding.
She bent down to listen to his heartbeat with her stethoscope. Hmm. She looked up brightly.
You have a heart murmur. The high heels said. Did you have congenital heart defects?
Got it fixed when I was seven. I got a scar to prove it. He said.
That’s nice, she smiled. Dr. Strauss is seeing other patients now. I’m just helping him out today. He will be here shortly.
A girl in scrubs entered the room after a brief knock.
She’s an intern. You don’t mind all the attention, do you? She teased. Congenital heart defect. She announced proudly, as if she’s in possession of a rare specimen.
Now they both were examining him with their stethoscope, fascinated by his heart murmur.
I want you to come in for an echo, soon. Nothing wrong with your heart but you need to check it out once in a while since you had a heart surgery. The intern jotted everything down with the ferocious concentration.
So, it’s your back that’s the problem? The high heels asked. He didn’t mention snoring.
She touched his back. Here? Mmmph.
Probably a severe case of back sprain, she said. It happens when the ligaments get stretched by sudden movement. Blah blah blah….
Pretty green eyes, he noticed on the young intern.
Acupuncture might alleviate the pain a bit. The high heels said. This caught his attention.
It turned out that Dr. Strauss practiced acupuncture.
I’m sure he can put some needles on you today if you want. The high heels said.
He had no idea the whole time he’s known Dr. Strauss. That old geezer, knew acupuncture. Ha! And apparently it was covered by his insurance. What do you know.
Does it hurt?
Well, there is a slight sting when the needles puncture the skin. But I’m pretty sure a big strong man like you can handle it. She smiled slyly. Try something new?

Oh, hello. The bald, white bearded Dr. Strauss said as he came in.
You just crashed our little party doc. The high heels said. Both she and the intern giggled.
Oh, sorry about that. Poor old humorless geezer, Red thought.
The girls said bye to Red as they exited. He smiled back.
So let’s see here… Dr. Strauss said, narrowing his eyes as he read what the intern had jotted down.
He gave Red a routine speech about the importance of posture and exercises and stretches. He also mentioned him perils of getting old and told him to take calcium and vitamin pills regularly. Red’s mind was now fixated on acupuncture though.
Doc. I didn’t know you do acupuncture.
Oh yes. I’ve been doing that for quite some time. I can’t guarantee the result right away. But…why, did you want that done on your back?
Can that do anything about snoring?
Why, do you snore?
Well, my wife says. He said, dismissively.
I understand. Well, it might work on sleep apnea. I can’t guarantee it though. Everyone seems to have a different reaction to it.
Red was suspicious about doc’s “Can’t guarantee” business but after all the greasing he was really up for this exotic treatment.
Well, poke me. Poke me hard doc. Red said. Dr. Strauss didn’t smile at this.
Doc went and took out needles from an unopened plastic package. He explained that those are disposable needles.
Take off your shirt please.
Red did this with difficulty. Doc rubbed some alcohol on his back, neck, the bridge of his nose and his forehead.
It will sting a little bit at first. If any of this is in any way uncomfortable, you let me know. Doc said as he put needles on his face, the back of his neck and then down his shoulder and finally on his left hand, in the fleshy part between his thumb and his index finger.
Does this hurt? Doc asked as he fiddled with each needle. There were about twenty on him.
No. I feel just a bit of pressure here and there.
You are supposed to feel the pressure. Doc smiled. Means it’s working.
Doc left the room telling him he would be back in five to check on him. You might have to sit still for about twenty minutes or so. He told Red. Relax.

Honestly it wasn’t bad at all.

Red looked at the dingy small room: A faded black and white “Smoking is bad” poster circa 1984, judging by the man’s hairstyle and clothes in the photo (he looked like the blonde guy from Hall & Oats), a human anatomy chart, pamphlets on HIV/AIDS prevention, a fake indoor tree, an oxygen tank next to a small white fridge marked with bio-hazard sign, etc. This was far from exotic and relaxing environment. But he was feeling mighty tranquil for some reason.

First, there was a faint odor of something sour, like spoiled milk. Red looked around to locate the origin of the smell. Nothing out of the ordinary. A couple of minutes later, his vision started to get blurry. All of sudden he was seeing colors on the black and white anti-smoking poster, around the blonde’s edges like 3-D picture. He started to panic.
The high heels tap danced in to the room along with the receptionist, alarmed by Red’s scream.
What’s wrong?
They had colorful glows around them.
Something is wrong. Can you take these off of me?
Red felt an incredible pressure on his neck. He looked back and saw the Vanderbilt kid squeezing his neck with a giant left hand. With the right hand he was picking his nose. The kid had a maniacal grin on his face. Red screamed. He felt his left arm tensing up then all of a sudden it went completely numb. Before he knew what was going on, his left arm took the mind of its own and went crazy. It knocked out all the bottles and glasses off the table, took down all the frames off the wall. And with an amazing strength, it hauled the oxygen tank against the medicine cabinet. Then with the lightening speed, his arm got a hold of the receptionist’s neck and broke it like a twig. The high heels was long gone. Tap, tap, tap...

Dr. Strauss arrived at the scene. The room was like a war zone: papers and broken glasses everywhere, the receptionist’s corpse sprawled on the floor like a discarded rag doll.
It’s the Vanderbilt kid, Doc! Red shouted. He is making me do this! You do see him behind me, don’t you? –was what he was saying but it came out like a wookie talk. His tongue was hanging out of his droopy mouth as he lost control over the muscles on his face.
Dr. Strauss went to a corner and broke out more needles from the now destroyed cabinet. With his left hand outstretched, Red went after doc.
Stay away! Stay away! doc shouted, swatting at the cursed hand. But The hand easily got a hold of the old doctor’s thin neck and lifted him up off the floor. Doc’s face was turning blue and his feet kicking the air.
Woooahaah ah, whooohaah (It’s the kid! It’s the kid!). Red cried.
Doc managed to remove a needle from Red’s left hand and was released from his grip. He fell to the floor on top of a dead receptionist whose lifeless dead eyes was looking straight at him. He crossed himself as he got up. Red’s hand was dangling from the wrist on, but his arm was still stretched out, still gunning for doc.
Woooahaah (Help me doc!).
Doc rolled under the murderous arm and got behind Red and placed a needle on the very top of Red’s cranium. With a brief howl, Red fell to the floor, face down.
I told you I can’t guarantee anything. Dr. Strauss mumbled, as he collapsed against the wall.

Sunday, November 15, 2009

The Loneliest Man on Earth

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I developed a strange habit of sizing up women on the train on the way to work and back home. I get on, spot women in the age of 25 to 40 and try to look at their ring fingers, all as inconspicuously as possible. I position myself all the way in the back of the car, right below where an emergency break hangs like some obscene tongue of a salivating animal. I scan the car methodically, clock-wise- there, no she has a ring on, over there, no too young. As the car fills up with commuters as we approach downtown, the task becomes more difficult. And I’m not that thick skinned not to notice when women shoot back the look of displeasure as I stretch my neck at an impossible angle to look through under someone’s armpit just to have glimpses of them.

I was looking at a tall pretty Russian girl and her older sister (maybe mother?) one day on the train. It was a weekend and the car was almost empty. The older woman noticed me looking at the girl. I looked away but not fast enough. They looked at me and talked with each other and to my surprise, the older woman came up to me with a very serious face.

You looking at my sister? She accused me with a heavy accent.
Uh, no.
You looking at my sister, I saw you. She narrowed her unibrow.
I looked away embarrassed. She grabbed me by the arm and pulled me toward her.
You like that? You like looking at girls?
I looked at the tall blushing girl in the distance.
You do this all the time, checking out girls?
I was silent. The woman punched me on the shoulder.
Aw, that hurts.
How about us looking at you like that, huh?
Like what? I tried to sound as innocent as possible.
Oh, I think you know what I mean!
She went on punching my shoulder.
You are sick. She kept saying.
I noticed that the woman wasn’t wearing a wedding ring.
Are you married? I asked her as I was pulling out my cell phone from my pocket.

* * * *

Hello! How are you? I looked up and saw a short balding man with glasses.
Oh hello. I replied.
How are you my friend? How is your wife?
Oh fine, fine. She’s fine also.

I’ve seen him around. I’ve been living in Kensington in Brooklyn for the last six years. The area was dubbed as the most ethnically diverse neighborhood in the US by Newsweek Magazine recently, for whatever it’s worth. It’s true though- although heavily dominated by Hasidic Jewish and Pakistani population, there are also healthy Indian, Bengali, Tibetan, Mexican, Armenian and Russian population present as well.

Mohammed, as I came to know him, is a Bangladeshi immigrant and from what I gather, is a very lonely bachelor. We got into half a dozen lengthy conversations over the years, always on the street, on our way home. There on the sidewalk of Kensington, he presented his case.

Do you know any girls who want to marry?
Excuse me?
Do you know anyone who’s interested in marriage?
Hm. I can’t think of any at the moment.

I remembered my wife telling me that he started hitting on her on the street. She told Mohammed that she was married and his grin changed to an expression that resembled a death row inmate in an instant.

I’ve been living alone for twenty years. I’m 46 years old now. I came to this country and I’ve worked very hard. I have my own house. I have my own business. But it’s very hard to find a woman to marry. He said.
That’s hard to believe, I said, a good-looking guy like you-
I don’t drink, I don’t smoke, I don’t do drugs. I’m a very good Muslim!
I’m sure you are-
You know I go home and turn on my computer- guess how much time I spend on the internet?
…um, how much?
I spend three hours everyday! Three hours, looking for a woman to marry!
But you have everything. I really can’t believe you can’t find anybody.
Mohammed felt silent.
Mohammed?
They don’t want to marry me because I’m a Muslim. They look at my profile online and they are not interested. They get scared.
You think?

* * * *

I was riding the train home with Olivia, a young co-worker of mine who recently moved to Kensington area. When the train almost reached our stop, I noticed Mohammed in the corner grinning at our direction. I waved and he waved back.
After Olivia and I went our separate ways, Mohammed caught up with me.

Man, I thought you were married! He exclaimed.
I am married Mohammed. I said, defensively.
Who’s the girl then? She’s beautiful!
That’s Olie. She walks with me.
Oh man, she is beautiful. She’s not married, no? It hurts. He grabbed his chest. His eyes were glistening with tears.
It hurts to see you with a woman smiling and I’m so lonely it brings tears to my eyes.
Mohammed, she has a boyfriend. Forget about her!
It hurts so much! He wiped the tears off of his eyes with a handkerchief.
Can you please let me know if you find someone who wants to marry? He pleaded.
I don’t care if they are young or old. Please let me know, my friend.
I promise Mohammed. I’ll let you know. I told him as I was putting in his telephone number into my cell phone directory.

Thursday, November 12, 2009

Spicy Tomato Garlic Soup with Oyster Mushrooms

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It's my recipe so I can't find a picture that would do justice. Anyway, this soup is for cold rainy days. Have it with a hunk of good bread.

You will need:

1 can roasted whole tomatoes
3-4 cloves garlic crushed and chopped
1/2 pound oyster mushroom
4 cups chicken stock
2 tsp salt
1/2 cup chopped cilantro
2 tbsp butter
1 jalapeño pepper halved and seeded
olive oil

Puree tomatoes in a food processor, not all the way, but just enough so you will have chunky soup.
Pour tomatoes in a large pot, juice and all and add salt . Add chicken stock and bring it to boil, lower the heat. Add jalapeño.
Sauté mushroom in butter and olive oil with garlic until brown. Put them all in the soup. Cook 10- 15 minutes. Garnish with cilantro. Enjoy.

Wednesday, November 11, 2009

Uncertain Future: L'eclisse

L'eclisse (1962) - Antonioni

It's Italy in the 60s: time of affluence. Modernity reflects on cityscapes and interiors(a lot of phallic symbolism, slick furniture and appliances). Vittoria(Monica Vitti), first seen breaking up with her lover, is an indecisive, bored little slut. She goes on her suburban bourgeois life, horsing around with her bored housewife neighbors until she meets Piero(Alain Delon), her greedy mother's stockbroker. Their cat and mouse affair comes across as more juvenile than anything- almost naive and childlike against the cold and alienating backdrop. Vitti is Antonioni’s Anna Karina here: playful, endearing, full of childish charms and wide smiles. Delon comes across as a grown high school jock in his cat like demeanor and boyish presence. With the use of recurring imagery and motifs, Antonioni shows that these young lovebirds are living in a different world, hinting that their relationship is doomed from the beginning.

The look of the film is nothing short of astounding. With exquisite framing and precise camera movements, L’eclisse is one of the most stylized films I’ve seen. Structurally daring 10 minute silent ending threw me off a bit. First I thought it was too obvious and way over the top. But more I think about it, the more I like it and befits the film better as a whole.

L’eclisse has a very little but effective unsettling soundtrack. At the end with the montages, I was secretly hoping the Edge’s guitar riff from Where the Streets Have No Name to kick in.

Tuesday, November 10, 2009

Bhan-Chan

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Siobhan was an enigma. She was the only white girl who’d ever worked as a waitress at Hana, a Korean restaurant where I was waiting tables. She slipped in to my life one day, and before I got a chance to really get to know her, she was history. Just like that.
It was a cold Saturday evening in late October when Siobhan first showed up. She was dressed in classy clothes, except for her blue backpack, which didn’t suit her at all. I took her for an adventurous young connoisseur of foreign food. Back then, Korean food fad hadn’t caught up yet with the general New York public. Even though there had been some lunch takeouts by white office workers nearby, a white woman alone coming in for a dinner was a rarity in a Korean restaurant in the heart of Koreatown on 32nd Street, Manhattan. Man-soo, our most seasoned waiter, with his forever smiling face, was there at the door to greet her. She bowed a little like a Korean girl and said hello in perfect Korean. She was inquiring about a job. This surprised Man-soo to no end.

So you are looking for a waitress. She said it in non-inflected Korean.

Well, not at the moment… Man-soo hesitated.

Siobhan pointed her slender finger to the door where the hand written sign was taped up: “Waitress needed. Must speak English. Inquire Within” – in Korean, She bowed again.

Oh, excuse me, but, did I make a mistake? She said smiling.

Man-soo scratched the top of his head. His smile was still intact.

Uh, ok. Give me your contact number and we’ll call you. He said it but not meant it.

Siobhan took out a pen from the blue backpack with a fox patch stitched on above where the Northface logo had been. A couple of customers came in and Man-soo had to sit them.

Give it to Moon. Man-soo said, waving at my direction.

She saw me watching her, smiled and bowed at my direction. I bowed back. She came over to me.

Can I borrow your back? She held up her pen.

It took me about a minute or so to realize what she meant. I turned around. She put her number down and I memorized it on my skin.

We had a busy week and a lack of another wait staff really showed. And that’s how Siobhan, a white girl, got hired as a waitress at Hana, a full out, unabashedly Korean restaurant. Siobhan got into the action pretty quickly. We were all surprised at her for how fast she adapted to her surroundings. Not that waiting tables there was the most difficult job in the world, but she was quick witted and personable. And her Korean was exquisite. The idea of a white girl yelling orders across the room in Korean we all had to get used to. Soon, we started calling her (Sio)Bhan-chan. Ban-chan in Korean means those little side dishes that come with a main order: usually couple of different kinds of kimchee(pickled cabbages, radishes), dried, candied anchovies, fried tofu, marinated bean sprouts, dried shredded squid in hot pepper and so on. She had taken some Korean classes in college, went backpacking in South Korea and had Korean roommates. "One of my few useless talents," she once said.

She even warmed up to our oldest female wait staff, the forever bachelorette, Hye-eun, who’s been known for her territorial pissing (she scared off at least three younger waitresses in tears, as I recall). Soon I saw her chatting and laughing with Bhan-chan over soon-dubu(spicy, silky tofu sea food stew) lunch.

Bhan-chan never missed her shift. She was a tireless worker. It took very short time for all of us at Hana to fall for her. But she was also a mystery. Not that she was unapproachable, but her being white prevented us from asking her too many questions. All we knew about her were that she was from New England some where, college educated and loved Korean food.

She is a good waitress and that is good enough for me, Man-soo said once to the girls after overhearing them gossiping about Bhan-chan.

I saw Bhan-chan on the subway platform one night after work. Apparently we were going the same direction, or so I thought. She saw me waving at her and came to me. She looked very different than in the restaurant.

Bhan-chan, you look very different. I said, admiring her beauty.
It’s just clothes, Moon. It’s same old me. She winked.
It’s just that, I never see you after work.
Well, here I am. She turned around slowly and laughed. I adored her.
Moon, you don’t remember me do you?
What do you mean?
The reason I work at Hana is because of you.

Apparently, Bhan-chan had seen me before, making a delivery to her previous job, an art gallery on the Westside. Her boss, a crazy Cuban, was nuts about Korean food.

That’s how I remembered Hana when I was looking for a job.
Really? I surely would’ve remembered you. If you were-
I was different then, not quite me yet. She said, lowering her eyes.
Why waitress?
I wanted to do something physical, to tire me out.

She was a mystery wrapped in enigma in a foggy day, like a turducken.
It was almost new years and all the wait staff were gearing up for the end of the year party one night after work. Man-soo assigned me the task of asking Bhan-chan out for the night of drinking and Karaoke. He asked me not only because everyone was uncomfortable asking Bhan-chan anything, but also she and I were about the same age and I was the only male wait staff without a date. Maybe he also noticed the way I had been looking at her.
I approached Bhan-chan, who was ringing up an order. She turned to face me and said:

Yes I will.
What? I asked incredulously. I didn’t even ask you anything.
I hear things, She said. I have ears. You Korean man don’t believe in whispers. She smiled.
Damn you Siobhan. You are too smart for us.

Siobhan could drink. She drank up Soju(Korean vodka) like an Irish sailor. Even Man-soo couldn’t keep up and passed out in the sofa of a tiny noraebang(karaoke room). Bhan-chan sang “Pour Some Sugar on Me,” and “Rock You Like a Hurricane” badly. By the time she took the stage with her rendition of “Sweet Child of Mine”, many of us already have petered out and called it a night. It was two thirty in the morning. It was me, Bhan-chan and Mansoo. She stretched out the microphone for “Where do we go now?” chorus part. I sang along. I clapped as she finished her soprano screaming. She threw the mic and collapsed against me on the sofa, panting and wet from perspiration. She finally calmed down, breathing on my chin regularly. I downed the last shot of soju to cover up my big gulp and looked at her. She was looking straight at me with her big green eyes. We kissed. Then she whispered into my ear:

Don’t fall in love with me, in English. My heart ached.
You don’t have a nerve to say it in Korean, huh? I retorted bitterly.

She just stared at me for a long time, then looked away.

I’m leaving soon. She said.
Where are you going? I asked.
Up north. Alaska.
What’s up there?
Solitude.

I got a handmade postcard from Siobhan in early summer next year. It was the picture of the icy Bering Strait.