Dressed to Kill is nothing but one elaborate set piece to another, strung together with plenty of nudity and blood for your pleasure. Boobs, pubes and talk of erections for everyone to hear. De Palma has a technical craft that many Italian giallo directors lacked. In that sense, the film is an ultimate giallo. Is it as enjoyable as, Deep Red or Strip Nude for Your Killer? No. Even though De Palma possesses that perverse voyeuristic tendencies and technical know-how, it lacks sensuality. The film's endless optical trickery and parallel actions, time bending slow-mo scenes, high camera angles and dolly shots are way too showy. I get the feeling that De Palma is a great student of cinema and takes elements and techniques from others but remains only to be a great copycat, never an auteur, even more so than Tarantino. He lacks the beauty and grace some other visualist directors - Argento, Park Chan Wook, Refn possess. Dressed to Kill was enjoyable and I am willing to explore more from his filmography. Let's see if I change my mind on him.
Sunday, September 11, 2016
Ultimate Giallo
Dressed to Kill (1980) - De Palma
![photo f32e385f-7052-4ee3-ba16-f144ffa84843_zpsbdrl0suc.png](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_ugHXdU53ZOqCefsHKfAYCJ5bXaYJJyS5BmecVFiwosYHLNA1Z1FEG9vxfW2sRrhzKdyxjOpEeeBN4ZmN2UyFrNPqLoHyDH5C4N_CaEDpuhLsqjp-YZBwThc2LHibUi-2KhT8WF0OdMmXU9OXMGhDAfKetyGemvkHQXVd1XKt2psf6K_TvoAdHh5I1d53anCnrl_yTZetH2nQLYFbis8oIU=s0-d)
![photo 0ba19c59-90bb-41cf-8ee4-e4cc179a2ced_zpscslewtn7.png](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_tlrz3xuJ24grONuGQ-9mWg41xueCpTn09qEBQ5WdH9EPZeL_wLq2hsPENgE0XHLz9OlU2hqkREIYN2hJiE-_J2cKg5mW_M-LDj-Lp6uDZUY6Sr4_x-hsDBb0Jh7nvlzz7gCMTEkAQTRYffoIaRmsdm8nIvjykBiImgIhVL21EpoXRDtGRQgN2LH741ym5EURz0_Q4hPbcHU0QJeLroLQXhXA=s0-d)
![photo f453e29f-9a90-4249-ab3a-dce18f5bfeda_zpsmd6g1hai.png](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_uPCU_EqMvpNTllLRVFqF-0tRTRVdhsri9uCXnH3lOasyuHcTbGO8Q9ilkZoocmO01W928qloZaAail1nw_wyAnQV56F9LwvyHRXxJ8Bp-knWP7I0CakwGdb1cvazRznqFSgXlTQnq2Tzfisl1FEn8xZ4x525RK0WdBwoAlQOtRquqrjCKtbzH1y_28png0pkxDJsv1diQDU39wrVnj73RuSg=s0-d)
![photo 885abed3-abe0-4441-a911-bda3b30ea243_zpshieedaxf.png](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_uKtZCaKcb1D2krSvqjwndTN52IKPUWOsObcTq0sJjIfmDQAdmO5GeYQUonqhXfKMzefAFxoLeeJz-p9eV8U_vL6kroNMnNq6BZSsazQhlNWt7K-6sKb8VjWjO3uAza3IMHvMycYYfk-IRYQRifzw-vzEplB48hEHQm4avaqfSBiIWJkURjDqWFBHyMb6kmk7_LzQju-cugYXczctyrzvwIXg=s0-d)
![photo 2410e334-544c-4301-8f97-2134b5c42359_zpsqfdaehbi.png](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_uu2n_Iti62vUyI8NE9IajvRWpVxmsZP6bXDf4HqQ_DVEKS3hPHdWpSei9DykxC62VBc1rn6_d3I0m3Pj_doYp15RIi_fgQO-x5GH6Zt0GkIcQWzlkGJMMBCF_z8iwHPYq-fDTxCbtXgqQNvJQMuUYyPzMszzQ571HwSPQ2RlgZcwQlV_908gjNicr2cx3neqvJjAJKaoTPdGk7GyH7Rvs1lw=s0-d)
![photo 488d4ca5-0833-4c2c-94e2-b9274c83517a_zpsszxjd5q9.png](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_tnzXH-pXnfCdrEdLWDE1ERRQio4j1p9_jDAAWDzuIfr0Y2nklHHT8ONSLj_YUIxCh__S1a_tugaAonywjdYSVHFvOSAFVe63C2fBsqLP5qrwr0HUs-CwyNASy54ZwVgZ7TxCx9pyYIqlv4gj2m6552ZcPJqIUGqo0fFi1GO6lZeP-EHxgBUqfKMZginLwWZGmsdcmC0lhAFS6RoVHT1niz=s0-d)
Dressed to Kill is nothing but one elaborate set piece to another, strung together with plenty of nudity and blood for your pleasure. Boobs, pubes and talk of erections for everyone to hear. De Palma has a technical craft that many Italian giallo directors lacked. In that sense, the film is an ultimate giallo. Is it as enjoyable as, Deep Red or Strip Nude for Your Killer? No. Even though De Palma possesses that perverse voyeuristic tendencies and technical know-how, it lacks sensuality. The film's endless optical trickery and parallel actions, time bending slow-mo scenes, high camera angles and dolly shots are way too showy. I get the feeling that De Palma is a great student of cinema and takes elements and techniques from others but remains only to be a great copycat, never an auteur, even more so than Tarantino. He lacks the beauty and grace some other visualist directors - Argento, Park Chan Wook, Refn possess. Dressed to Kill was enjoyable and I am willing to explore more from his filmography. Let's see if I change my mind on him.
Dressed to Kill is nothing but one elaborate set piece to another, strung together with plenty of nudity and blood for your pleasure. Boobs, pubes and talk of erections for everyone to hear. De Palma has a technical craft that many Italian giallo directors lacked. In that sense, the film is an ultimate giallo. Is it as enjoyable as, Deep Red or Strip Nude for Your Killer? No. Even though De Palma possesses that perverse voyeuristic tendencies and technical know-how, it lacks sensuality. The film's endless optical trickery and parallel actions, time bending slow-mo scenes, high camera angles and dolly shots are way too showy. I get the feeling that De Palma is a great student of cinema and takes elements and techniques from others but remains only to be a great copycat, never an auteur, even more so than Tarantino. He lacks the beauty and grace some other visualist directors - Argento, Park Chan Wook, Refn possess. Dressed to Kill was enjoyable and I am willing to explore more from his filmography. Let's see if I change my mind on him.
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