Minimal dialog, great use of large spaces and framing, Tsai Ming-Liang's Goodbye Dragon Inn is a mesmerizing experience. Taking place almost exclusively in a grand, dilapidated movie theater, this atmospheric, moody, nostalgia driven ode to cinema doesn't sacrifice Tsai's usual theme - isolation and disconnectedness and a bit of eroticism. Exquisite. One of the best shot films I've seen in recent years.
Wednesday, September 12, 2012
Bye Bye Cinema
Goodbye Dragon Inn (2003) - Tsai





Minimal dialog, great use of large spaces and framing, Tsai Ming-Liang's Goodbye Dragon Inn is a mesmerizing experience. Taking place almost exclusively in a grand, dilapidated movie theater, this atmospheric, moody, nostalgia driven ode to cinema doesn't sacrifice Tsai's usual theme - isolation and disconnectedness and a bit of eroticism. Exquisite. One of the best shot films I've seen in recent years.
Minimal dialog, great use of large spaces and framing, Tsai Ming-Liang's Goodbye Dragon Inn is a mesmerizing experience. Taking place almost exclusively in a grand, dilapidated movie theater, this atmospheric, moody, nostalgia driven ode to cinema doesn't sacrifice Tsai's usual theme - isolation and disconnectedness and a bit of eroticism. Exquisite. One of the best shot films I've seen in recent years.
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