Showing posts with label Jennifer Lawrence. Show all posts
Showing posts with label Jennifer Lawrence. Show all posts

Sunday, December 21, 2025

Suffocating Conformity

Die My Love (2025) - Ramsay Screen Shot 2025-12-20 at 7.55.16 AM Screen Shot 2025-12-20 at 6.27.31 AM Screen Shot 2025-12-20 at 6.30.18 AM Screen Shot 2025-12-20 at 6.43.47 AM Screen Shot 2025-12-20 at 6.43.59 AM Screen Shot 2025-12-20 at 6.47.51 AM Screen Shot 2025-12-20 at 6.55.03 AM Screen Shot 2025-12-20 at 6.55.10 AM Screen Shot 2025-12-20 at 6.57.56 AM Screen Shot 2025-12-20 at 7.04.47 AM Screen Shot 2025-12-20 at 7.21.57 AM Screen Shot 2025-12-20 at 7.40.14 AM Screen Shot 2025-12-20 at 7.57.06 AM Screen Shot 2025-12-20 at 7.58.42 AM Screen Shot 2025-12-20 at 8.09.55 AM Screen Shot 2025-12-20 at 8.12.05 AM Screen Shot 2025-12-20 at 8.12.24 AM Lynne Ramsay depicts a young woman experiencing the perils of motherhood at great length with the help of a feral performance by Jennifer Lawrence and intimate/expansive images by DP Seamus McGarvey, in their second collaboration after We Need to Talk About Kevin (2011).

Short on backstories in typical Ramsay fashion, Die My Love is mostly told visually, from a young woman's perspective as she goes through a postpartum depression. Grace (Lawrence) and Jackson (Robert Pattinson) are a young couple, moving into an old fixer-upper farm house in the countryside that belonged to Jackson's relative. The house is all covered in old wall papers and has rat problems. No matter, the young couple is enthusiastic to start a life together and Grace soon becomes pregnant with a son. Left alone to her own devices while her partner Jackson is away for a job in the city half of the time, Grace's daily life, bored and living in her own head, veers dangerously into fantasy territory.

Foreshadowing with Grace roaming around the yard on all fours with a kitchen knife in her hand, Ramsay makes a point that the film is not about Grace suffering from depression, but how a young woman is perceived when she behaves outside societal norms.

Grace does act irrational and compulsive - throwing herself through the glass window while arguing with Jackson, strips to her underwear and jumps into the kitty pool at a party, fantasizes about a married neighbor (LaKeith Stanfield). Family and friends are left helpless, not knowing how to help her. And the film shows how normal society deals with a 'difficult woman' - either marry her or institutionalize her. Jackson does both, but that doesn't fix Grace.

Filled with many details and nuances with McGarvey's 4:3 ratio shot images simultaneously confining and expansive, and great supporting cast- Pattinson as wide eyed, frustrated partner, the great Sissy Spacek as Jackson's sleepwalking, shotgun totting mom and the only person who understands Grace (reminiscent of her character in Badlands) and Nick Nolte as Jackson's dementia suffering dad, Die My Love is a great film about suffocating conformity of a life of a young woman. I really liked it.

Monday, May 26, 2014

Memories Eternal

X-Men: Days of Future Past (2014) - Singer
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This franchise, along with its Wolverine spinoffs, has been dragged out long enough, even though there are plenty more characters, subplots and parallel universes to cling on to until the end of days. Singer and co. decides to put a semi definite "." on the X-Men series with Days of Future Past. The plot: The world is destroyed by the war between humans and mutants. Only a few mutants remain, hounded by Sentinels- indestructible creatures borne out of shape shifting Mystique (Jennifer Lawrence)'s DNA when she was captured after assassinating a military industrialist Trask (Peter Dinklage). The only hope is to go back in time and prevent Mystique from killing Trask. Kitty (Ellen Page), a mutant who possesses the power of "phasing", sends Wolverine, who has unlimited instant cell regeneration, therefore, only one who can withstand destructive long term phasing, to 1973 to stop Mystique. There he has to convince both young Prof. X (James McAvoy) and his rival young Magneto (Michael Fassbender) to team up and stop the development of Sentinels. A lot is at stake here, folks.

Days of Future Past in its seriousness, invalidates the first 3 X-Men movies since its timeline doesn't match with the existence of Sentinels. It's more of a continuation of X-Men: First Class with Fassbender's showy Magneto in the center with Wolverine thrown in. The mood is grim and no one smiles. Wolverine has skeletal blades instead of metal in his paws. Prof. X is struggling with spine damage and lost his way. Magneto is still scheming to end humanity. Someone's got to save prez! In the mean time, Sentinels are picking up mutants like daisies - they get crushed in graphic detail - they burst in to flames, bodies explode, heads crushed, etc.

What's left is that Wolverine remains the most tragic character in superhero franchise. He is the sole witness to all the destruction and death of the loved ones and when it's all fixed, it's only he who remembers all for eternity.