Showing posts with label Park Chanwook. Show all posts
Showing posts with label Park Chanwook. Show all posts

Sunday, November 23, 2025

Life/Work/Death

No Other Choice (2025) - Park Screen Shot 2025-11-23 at 8.50.00 AM Screen Shot 2025-11-23 at 8.50.21 AM Screen Shot 2025-11-23 at 7.11.18 AM Screen Shot 2025-11-23 at 8.51.13 AM Screen Shot 2025-11-23 at 8.53.12 AM Screen Shot 2025-11-23 at 8.52.37 AM Screen Shot 2025-11-23 at 8.53.33 AM Screen Shot 2025-11-23 at 8.57.46 AM Screen Shot 2025-11-23 at 8.18.03 AM Screen Shot 2025-11-23 at 8.40.05 AM Mansu (Lee Byunghun), a 25 year veteran in a paper mill company with a big house in the countryside with a loving family - wife Miri (Son Yejin), teenage son, ten year old autistic daughter and two golden retrievers affectionately named after his children, just got laid off. Just before he was laid off, he was planning union activities with his subordinates. The only thing he has known in his adult life was the paper mills and he has no prospects other than that industry and with the mortgage company repossessing the house in three months, the clock is ticking for Mansu to get another job.

Taking the cue from his stress, Miri restructures the household in order - no more outlandish meals, no more tennis lessons, no more Netflix, dogs to her parents house, downsize the 2 big cars to one small one and put the house on the market. Mansu refuses to sell the house since it's the one he grew up in and bought it with his own money. And especially, the potential buyer is a sleazy local electronic shop owner who is a dad of his son's best friend. Three months, Mansu tells Miri.

Mansu does research on his competitors just in case Moon Paper, a big paper company, is in need of hiring another manager. He narrows down the potential competitors to two and devises a plan to eliminate them.

No Other Choice says a lot about salaryman life in Korea where you are defined by your work, where your life is completely tied to your job and the job defines you. In Mansu's elaborate scheme - spying on his competition at home and work in order to get a chance to kill them, exposes that they are in the same boat as he is: the grueling unemployment life- the daily humiliation, temptation of alcohol and drugs, suspicion of spouse infidelity, etc. They are the mirror images of himself! But Mansu, trapped in the cruel rat race in the capitalist system, has no other choice but to pursue his plan to save his family from poverty.

As usual, Park Chanwook is a first and foremost visual stylist. There's more visual ideas in No Other Choice than most Hollywood releases in a year combined. Lee, with his model like angular face twitching as a stressed middle aged man, is tremendous as Mansu, the stressed out salaryman. Son, as a practical wife who loves her man, no matter what, is fetching in her coy performance.

No Other Choice touches upon a lot of modern society's illness with satirical humor. There's dying manufacturing industries, automation and A.I. taking over human labor, deforestation and autism. I do not want to compare Park's movies to others, but the head of the family losing his job as a subject, is done before much more realistically in Tokyo Sonata by Kiyoshi Kurosawa. I mention this because there's also a theme of music and gifted child involved. But it's Park Chanwook movie. So it has to be fantastical and much more artificial, therefore less emotionally resonant. It's superb entertainment but boy is it stressful.

Thursday, December 25, 2014

New Oldboy

Oldboy (2013) - Lee
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It has to be said that I wasn't a fan of Park Chan-wook's 2003 original. But over the years, Park's gaudy, operatic, elaborate set pieces has grown on me and I began to appreciate his bombastic, deviant, glitzy, over the top creations. His Oldboy, based on Japanese Manga of the same name, catapulted Korean Cinema on the map and the rest is history. What attracted people in the west to it was Park's kinetic, visceral filmmaking which was totally unique and fresh. Thrown in was the edgy, taboo subject that compelled and disgusted many. After Hollywood's long production rigmarole of the remake which Spielberg and Will Smith were once attached, it finally happened after 10 years since the original came out without much fan fare. Way too late for Hollywood standards. It's not hard to guess why they thought Spike Lee was the one for the job- still considered edgy compared to other run of the mill Hollywood directors. It's useless to talk about how Lee's Oldboy measure up to original, because Park is nothing but a visual stylist. So does it work as an entertaining movie? The answer is yes, yes it does.

It's not shot by shot remake. Lee does away with the original's hokey 'they are all under the spell of this powerful hypnotism' thing. Josh Brolin is great as a terrible family man unjustly trapped in a hotel room for twenty years by a prep school classmate who blames him for his family's demise. Elizabeth Olsen is a volunteer worker with a heart of gold who can't stop falling for this brutish killing machine with dark past. Sharlto Copley plays a European billionaire who wants Brolin's character to pay what he lost. The rest is, well, you know...

Lee doesn't go for the same route as Park had with the original. Lee's Oldboy is NOT Van Zant's Psycho. But it's an expertly done, lean thriller with affecting performances. Lee knows how to make an R rated movie and goes for it. The famous all in on take fight scene with a hammer pretty well duplicated and it's a pleasure to see Brolin wielding a hammer against the lot. But it must take place in Canada because no one has a gun. And THANK GOD it wasn't directed by Spielberg or any other lesser Hollywood hacks. I mean, it's an adaptation of a manga for god's sake. All of you who dismissed this film upon arrival last year (yours truly included), do me a favor and give it a try. You will be mildly surprised.