Showing posts with label Tom Courtenay. Show all posts
Showing posts with label Tom Courtenay. Show all posts

Sunday, November 13, 2016

Pettiness of Being Old

45 Years (2015) - Haigh
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Can memories of an old flame break up the 45 years of marriage? A brit director Andrew Haigh supposes with two of the acting greats - Charlotte Rampling and Tom Courtenay as the Mercers, on the eve of their 45 year anniversary celebration.

As far as any art when the old age is concerned, it almost always becomes pettily inward. There is no wondering about the grander meaning of life anymore. We hold on to individual memories because there is nothing else left when your life is almost at an end. And that is 45 Years comes across as, despite terrific characterizations by Courtenay and especially Rampling, who is as usual, fantastic.

The beginning of the week of their anniversary, Geoff (Courtenay), a retired upper-middle class man gets a letter written in German, informing they found the frozen body of his girlfriend in the Swiss Alps, who fell to her death in the crevice of a glacier some 50 years ago. The memories rush back and he is gripped by them for days on end. Kate (Rampling) is also gripped, but by jealousy and doubt that their collective years were built on unstable ground littered with secrets.

Shot on ugly digital, 45 Years looks the epitome of British realist drama. But it's criminally unflattering, considering Haigh is not going for Who's Afraid of Virginia Wolf honesty or Mike Leigh revelations here. Haigh prefers series of long takes, obviously for the benefit of the esteemed actors. The ending dance sequence is quite devastating. But one can't shake off its pettiness (on Kate's part). Adult themed cinema should be much better than this.

Tuesday, June 14, 2011

Wrong Play!

The Dresser (1983) - Yates
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The setting is WWII London. Norman (Tom Courtenay) is a dresser to an aging Shakespearean actor, known only as Sir (Albert Finney in his career best). The only reason the senile actor can marginally perform his Othello, Macbeth, Richard III, King Lear night after night without fail is because of Norman. He dresses, washes, coerces, pep-talks, encourages, feeds lines to, takes insults and rants from the old man.

Sir has a close call and ends up in a hospital after he throws a fit in the bombed out London street. As the theater staff contemplate on shutting down the production, they find him returned to his dressing room and being incoherent. Is he going to be somewhat ready for tonight's performance of King Lear?

With Ronald Harwood (The Pianist, Diving Bell and the Butterfly)'s blistering script, the two of the most gifted British actors go mano-a-mano. Watching them in real time as Norman harangues downright deranged Sir to get ready is an exhausting experience. Norman is at once Salieri to Sir's Mozart, Felix to Oscar, Ratso to Buck, King to Fool. Thanks to Courtenay, Norman's affection and devotion for his master is real and heartfelt. Very awesome.

Sunday, June 5, 2011

The Defiant One

The Loneliness of the Long Distance Runner (1961) - Richardson
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Colin (Tom Courtenay) is a bitter young man from a poor household. His dad is dead and his mom is blowing dad's insurance money while his body's still warm. He is sent to a reform school for stealing 75 quid from a bakery. The governor of the institution (Michael Redgrave) takes a shine on him because of his running ability. He unwittingly becomes enemy of many people in there but he doesn't want to play anyone's game. As the film builds up to its climax where he and the lads go up against privileged public school running team, we get to know more about Colin. It's his stare that pierces one's heart.


Richardson's British class observation is very acute. At one point, Colin retorts when asked about getting a job, "It's not that I don't like work. It's just that I don't like the idea of slaving me guts out so the bosses can get all the profits. Seems all wrong to me."


The Loneliness of the Long Distance Runner is the ultimate F U to the system movie and I really loved it. Glad finally got to see the greatness of Courtenay. Compare to Malcolm McDowell's all-knowing cynicism, his anger and loneliness seem genuine and all the more innocent. Gotta seek out more of his performances.


The film also features twitty (even back then) James Fox as the nemesis runner at the end.