Pet Sound

Rabbit Trap (2025) - Chainey This is the second British (well, Scottish and Welsh) film I saw this year that features a rabbit folklore -where as Starve Acre takes place on the Scottish moors, Bryn Chainey's Rabbit Trap takes place in Wales. Rabbits or Hares in Welsh folklore are depicted as a connection to the spirit world and fertility. Known as the pwca in Wales, rabbits are shapeshifting creatures that bring both good and bad fortunes.

A childless musician couple from London - Darcy (Dev Patel) and Daphne Davenport (Rosy McEwen), have moved into a secluded cottage to finish their album. Equipped with recorders and a soundsystem, they are exploring the new sound in the Welsh woods for inspiration. One day in the woods, doing the field recording, Darcy hears distinctly human voices in the woods. Then he finds a circle made of white stones in the floorbed of the forest. Soon, he encounters a young person of indeterminate age and sex (Jade Croot), who claims that they are from a nearby village. They know places in the woods that would interest the Davenports.

The child takes a shine on Daphne and their visitation to the cottage becomes more frequent. But the child's insistence and clinginess becomes more intense and uncomfortable, first for Darcy, then eventually for Daphne. There's something supernatural definitely in the woods and the child is not what they say they are.

Moody and trippy, both cinematography (Dp, Andreas Johannessen) and sound design are terrific. Verging on magic realism, the moss and fungus invading the interior of the cottage as Davenports are put under the spell of the child is truly a wonder (thanks to production designer Lucie Red). Patel and McEwen are both fantastic as a couple who share an unspoken, probably some dark backstory, and have terrific chemistry together. But it's young Jade Croot who shines as a mysterious child who throws themselves in the lives of Davenport, and who might not be human at all. Croot's performance has the similar intensity as young Barry Keogan in Lanthimos's Killing of a Sacred Deer.

Rabbit Trap is a terrific folk horror/fantasy film that is beautifully crafted and put together with stellar performances. Now streaming on multiple platforms.

Hare to the Throne

Starve Acre (2023) - Kokotajlo Parents' grief manifests into a supernatural horror in Daniel Kokotajlo's moody, slow burn Starve Acre, based on a book by Andrew Michael Hurley who also co-wrote the screenplay.

Richard (Matt Smith) has moved back to his father's estate with his family - his wife Juliette (Morfydd Clark of Saint Maude) and their young son Ewan. He is a lecturer of archeology in nearby university. With his long hair and an outsider status, Richard doesn't really get along with his colleagues and neither does Ewan, who demonstrates violent tendencies. Jules is worried about their child but Richard is not. Richard's distance from his family stems from the physical abuse he received from his father when he was a young boy. He chastises his neighbor Gordon for telling the boy about the local folktale of Jack Grey and an oak tree that can reanimate the dead. Country folks are backward and full of superstitions. But the family can't shake off the feeling that there is something spooky about the nature that surrounds their house.

Ewan suddenly dies from an asthma attack and it pulls Richard and Jules farther apart. Guilt stricken and grieving, Jules can hardly get out of bed and Richard spends much time alone digging through the mud in the yard. Harrie (Erin Richards), Juliette's sister, comes to stay to comfort the grieving mother. It's the séance performed by Mrs. Ford, a neighbor that puts the idea in Jules' head that Ewan's spirit is still around.

Richard experiences a supernatural phenomenon when the bones of a hare he dug up near the oak tree of the old folklore, slowly starts to reanimate Hellraiser style - tissues appearing around the bones, then organs and muscles, eyes and hair. Is he imagining things out of grief or does the folktale about the oak tree and Jack Grey contain some sort of truth? He first hides this ungodly occurrence. But soon enough, a fully reanimated large hare is hopping around in their house. They release the hare to the wild but it comes back, wrecking havoc in the grieving parents' minds. According to Starve Acre, a research book left by Richard's father, they need three sacrifices to finish the ritual.

Smith and Clark are superb as grieving parents who are desperate to hold on to the idea of their dead son coming back, even if it takes a physical form of an animal. Cinematographer Adam Scarth’s expansive landscape shots and tinkling score by Matthew Herbert help accentuate the film’s sodden and moody tone. Grief and the power of folklore make great combination for a creating great unsettling, atmospheric horror. Starve Acre is one of the very fine English folk horror films to come out in recent years.

Travelers and Magicians

Yeelen (1987) - Cissé





Talking about an epic of Biblical proportions, Soulemane Cissé tells a Bambara myth steeped in animism and sorcery I couldn't help but compare Yeelen to Scorsese's Last Temptation while watching it. Like many other folk tales from different cultures, Yeelen concerns a great journey, good vs evil and father-son rivalry. Young sorcerer Nianankoro is on the run with his mother from his all-powerful, vengeful father, Soma. Niananko apparently possesses an amulet (a big gemstone) that belongs to Komo. Niananko needs to go to his uncle/Soma's twin Djigui. During the long journey, he gets friendly with a tribal king and helps him to ward off his enemies with his magic powers. The king requests another favor. His youngest wife is barren and he wants Niananko to fix her infertility. After taking some hallucinogenic roots together, then overcome by desire, Niananko and the young wife of the king does a dirty deedly. Seeing how remorseful the young man is, the chief awards him the girl, who is now pregnant and carrying Niananko's child. In the mean time, Soma is trailing along, with his magic post, carried by two servants, on his way to destroy Niananko.

Yeelen features some beautiful imagery of Mali. Even though the acting is heavily theatrical, all the principals involved have genuine presence and are great at conveying their feelings. Cissé uses simple effects to show sorcerers powers: burning bushes, sound effects, playing the action backward, star-filter effects, etc. The film has a very different sense of lyricism and visual poetry I'm not really familiar with, and it's very refreshing. I dig it.