Showing posts with label Philip Glass. Show all posts
Showing posts with label Philip Glass. Show all posts

Thursday, January 23, 2014

This Film is Gazing Back at You

Visitors (2013) - Reggio
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Koyaanisqatsi (1982), a genre-defining, landmark film that features stunning time-lapse photography and the hypnotic Philip Glass's score, expanded boundaries of film. It garnered cult following and spawned countless imitators in commercial, documentary and narrative film world (most recently, Samsara). Its director, Godfrey Reggio, followed it with Powaqqatsi (1988) and Naqoyqatsi (2002) to complete the long intended trilogy.

Reggio insists his films are not experimental, but rather, experiential. He asserts this notion again with Visitors, his new film in more than ten years. It's a visual tone poem presented in stunning monochrome 4K. Like his previous -qatsi trilogy, 'life unbalanced' theme is still present. But consisted of only 74 shots, the film is much more graceful, subtle, abstract experience. As for the meaning of the film, it is anybody's guess. Watching Visitors is not a passively immersive experience like Cuaron's Gravity. Its inhabitants (including a lowland female gorilla) in mostly closeup look directly at you. The film is watching you watching the film. It requires audience to be active participants to interpret the meaning of the film themselves.

Philip Glass's score makes up the other half of the film and it's just as awe inspiring. Unhurriedly, one piece of music ends and the other starts accompanying the crisp imagery, perfectly in tune with what's being seen. It's beautiful, powerful and deeply moving. After experiencing Visitors, I purchased its soundtrack the same night, so I could listen to it away from its visual partner. I realized how rare it is for a film soundtrack to stand on its own. It is by far, the finest orchestral writing I've heard from always masterful Glass.

Except for the view from the moon SFX shots, the scope of the film seems much narrower than his previous films- New Jersey for urban decay and Louisiana Everglades for nature in time-lapse photography and aforementioned human & animal portraiture. But it's a majestic film going experience. It wouldn't be a stretch to call Visitors a little mute brother of Malick's Tree of Life.

Visitors received its world premiere at the 2013 Toronto Film Festival and will open theatrically on Friday, January 24 at the Landmark Sunshine Cinema, New York, with a national rollout to follow. Please visit the film's official website for more information.


Thursday, January 9, 2014

First Look 2014 at The Museum of Moving Image

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MoMI (Museum of Moving Image) presents First Look, a bona fide film series showcasing new works by established filmmakers and first timers alike from all corners of the globe, carefully selected by the esteemed curatorial staff (first by Critic Denis Lim now David Schwartz and Aliza Ma). Quietly nestled in post-New Year hangover days with crazy award season just around the corner.First Look is fast becoming one of the most sought after film series in New York City. The series runs from January 9 - 19.

This is where I first saw Chantal Akerman's gorgeous new film Almayer's Folly and Philippe Grandrieux's loving documentary, It May Be That Beauty Has Strengthened Our Resolve: Masao Adachi, on the Japanese New Wave great Masao Adachi in its inaugural edition two years ago. Last year, the series graced me with Bruno Dumont's seldom seen 2011 masterpiece, Hors Satan (one of my very favorites of last year) and a beautiful three-hour documentary on the remote island of Corvo and its inhabitants off of Azores, It's The Earth, Not The Moon.

This year, they are presenting 13 features and 6 shorts on two consecutive weekends, including Godfrey Reggio's new film The Visitors with Philip Glass's score, Glass will be presenting the screening along with Steven Soderberg. The opening night's film, Little Feet is a new work by American Indie staple, Alexander Rockwell (In the Soup, Somebody to Love). I am particularly interested in seeing the Chilean offerings, The Quispe Girls and The Summer of Flying Fish, as well as Ape (pictured above) by Joel Potrycus. For any cinephiles, First Look offers a great start to a new year.

Please go to the MoMI website for more info, schedule and tickets.